Sale!
Opening with the driving title track, 40 Hour Week encapsulates why Alabama was the top country group of the '80s.
Alternating between restrained rockers and well-crafted ballads, it captures the band at its peak.
Nevertheless, it isn't quite as strong as their first albums -- the performances and production are a bit too mannered -- but its professionalism is appealing.
And that professionalism made 40 Hour Week the group's most popular album, as it crossed over into the pop Top Ten.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Forty Hour Week (For a Livin')Dave Loggins, Don Schlitz, Lisa Silver | Alabama | Play | 03:24 | 7 MB | 17 MB |
| 2 | Can't Keep a Good Man DownBob Corbin | Alabama | Play | 03:40 | 8 MB | 20 MB |
| 3 | There's No WayJohn Jarrard, Lisa Palas, William Soule Robinson | Alabama | Play | 04:12 | 9 MB | 19 MB |
| 4 | Down on Longboat Key | Alabama | Play | 04:10 | 9 MB | 22 MB |
| 5 | Louisiana Moon | Alabama | Play | 03:07 | 7 MB | 16 MB |
| 6 | I Want to Know You Before We Make Love | Alabama | Play | 04:04 | 9 MB | 19 MB |
| 7 | FireworksKenny Durham, Ronny Scaife, Phil Thomas | Alabama | Play | 03:53 | 8 MB | 20 MB |
| 8 | (She Won't Have a Thing to Do With) Nobody But Me | Alabama | Play | 03:11 | 7 MB | 17 MB |
| 9 | As Right NowGreg Fowler, Theodore Gentry | Alabama | Play | 03:04 | 7 MB | 14 MB |
| 10 | If It Ain't Dixie (It Won't Do) | Alabama | Play | 07:36 | 17 MB | 36 MB |
| 40 mins | 92 MB | |||||
| 40 mins | 204 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | The A-Strings | Strings |
| 2 | Alabama | Primary Artist, Producer |
| 3 | Eddie Bayers | Drums |
| 4 | Ken Bell | Guitar (Acoustic) |
| 5 | David Briggs | Keyboards |
| 6 | Jeff Cook | Guitar (Electric) |
| 7 | Bob Corbin | Composer |
| 8 | Jim Cotton | Engineer |
| 9 | Costo Davis | Synthesizer |
| 10 | Kenny Durham | Composer |
| 11 | Jack Eubanks | Guitar (Acoustic) |
| 12 | Greg Fowler | Composer |
| 13 | Gregg Galbraith | Guitar (Electric) |
| 14 | Theodore Gentry | Bass, Composer |
| 15 | Roger Hawkins | Drums |
| 16 | Mark Herndon | Drums |
| 17 | George Jackson | Guitar (Acoustic) |
| 18 | John Jarrard | Composer |
| 19 | Dave Loggins | Composer |
| 20 | Glenn Meadows | Mastering |
| 21 | Farrell Morris | Percussion |
| 22 | Fred Newell | Guitar (Electric) |
| 23 | Randy Owen | Guitar (Electric) |
| 24 | Lisa Palas | Composer |
| 25 | Larry Paxton | Bass |
| 26 | Little Willie Rainsford | Keyboards |
| 27 | William Soule Robinson | Composer |
| 28 | Brent Rowan | Guitar (Electric) |
| 29 | Ronny Scaife | Composer, Guitar (Electric) |
| 30 | Don Schlitz | Composer |
| 31 | Harold Shedd | Producer |
| 32 | Lisa Silver | Composer |
| 33 | Milton Sledge | Drums |
| 34 | Phil Thomas | Composer |
| 35 | Mark Tucker | Photography |
| 36 | Kristin Wilkinson | String Arrangements |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |