Another emphatic, powerful and technically excellent production from Peter Hammill.
More rocky than PH7 or Silent Corner and the Empty Stage, less techno than Sittings Targets, this recording smooths a path between the '70s and the '80s.
The lyrics are searching, poetic, psychological.
It is difficult to choose a highlight: the hypnotic "Fogwalking" makes an instant impression, while the multipart "Flight" spans all aspects and facets of Hammill's talents: from gentle through loud and brash and back to gentle again, studded with the inimicable sax of David Jackson.
The multipart piece is one of Hammill's trademarks: he takes a lyrical theme and expands it, story-like, through several short, connected pieces.
Another good example of this type is "Headlong Stretch" on Roaring Forties.