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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Silver BellsRay Evans, Jay Livingston | The Perrys | Play | 03:35 | 8 MB | 0 MB |
| 2 | O Holy Night | The Perrys | Play | 05:12 | 11 MB | 0 MB |
| 3 | Silver and GoldJohn D. Marks | The Perrys | Play | 03:46 | 8 MB | 0 MB |
| 4 | Christmas Time's-A-Comin'Benjamin F. Logan "Tex" | The Perrys | Play | 02:40 | 6 MB | 0 MB |
| 5 | Love Is Alive ForeverPhil Cross, Kirk Talley | The Perrys | Play | 03:30 | 8 MB | 0 MB |
| 6 | Mele KalilimakaR. Alex Anderson | The Perrys | Play | 02:54 | 6 MB | 0 MB |
| 7 | We Wish You a Merry Christmas | The Perrys | Play | 01:42 | 3 MB | 0 MB |
| 8 | Holly Jolly Christmas | The Perrys | Play | 02:22 | 5 MB | 0 MB |
| 9 | We Need a Silent Night / Silent Night | The Perrys | Play | 04:18 | 9 MB | 0 MB |
| 30 mins | 69 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Larry Abel | Choir/Chorus |
| 2 | R. Alex Anderson | Composer |
| 3 | April Wise | Choir/Chorus |
| 4 | Kelly Back | Guitar (Electric) |
| 5 | Cindi Ballard | Licensing |
| 6 | Landon Beene | Executive Producer |
| 7 | Blake Bennett | Art Direction |
| 8 | Jeff Bumgardner | Composer |
| 9 | Joe Carrell | Mixing, Track Engineer, Vocal Engineer |
| 10 | Chris Chavez | Choir/Chorus |
| 11 | Phil Cross | Composer |
| 12 | Kris Crunk | Keyboards |
| 13 | Bennett Devault | Choir/Chorus |
| 14 | Brittany Devault | Choir/Chorus |
| 15 | Ray Evans | Composer |
| 16 | Michelle Gayhart | Production Assistant |
| 17 | Fran Gebuhr | Choir/Chorus |
| 18 | Andrew Goldman | Group Member |
| 19 | Franz Gruber | Composer |
| 20 | Ernie Haase | Executive Producer |
| 21 | John Hammond | Drums, Percussion |
| 22 | Lucas Hathaway | Vocal Engineer |
| 23 | Wayne Haun | Choir/Chorus, Composer, Keyboards, Orchestration, Producer |
| 24 | Jamie Helms | Choir/Chorus |
| 25 | David Huntsinger | Piano |
| 26 | Lauren Ivey | Choir/Chorus |
| 27 | Trey Ivey | Orchestration, Producer |
| 28 | Joel Key | Banjo, Guitar (Acoustic), Mandolin |
| 29 | Justin Kropf | Engineer |
| 30 | Kim Lancaster-Brantley | Photography |
| 31 | Andy Leftwich | Fiddle |
| 32 | Joel Lindsey | Composer, Sequencing |
| 33 | Jay Livingston | Composer |
| 34 | Benjamin F. Logan "Tex" | Composer |
| 35 | John D. Marks | Composer |
| 36 | Brent Mason | Guitar (Electric) |
| 37 | Michael McPeake | Choir/Chorus |
| 38 | Derek Meler | Choir/Chorus |
| 39 | Joseph Mohr | Composer |
| 40 | Gordon Mote | Organ (Hammond), Piano |
| 41 | Craig Nelson | Bass |
| 42 | Ashley Parr | Choir/Chorus |
| 43 | Isabela Parr | Choir/Chorus |
| 44 | Jaidyn Parr | Choir/Chorus |
| 45 | Jaimee Paul | Choir/Chorus |
| 46 | Clayton Peach | Choir/Chorus |
| 47 | Katy Peach | Choir/Chorus |
| 48 | Shelton Peach | Choir/Chorus |
| 49 | Troy Peach | Group Member |
| 50 | Kim Pennington | Choir/Chorus |
| 51 | The Perrys | Primary Artist |
| 52 | Tracey Phillips | Choir/Chorus |
| 53 | Jaida Pilling | Choir/Chorus |
| 54 | Mia Pilling | Choir/Chorus |
| 55 | Taylor Pollert | Track Engineer |
| 56 | Christopher Reed | Vocal Engineer |
| 57 | Mary Frances Rudy | Choir/Chorus |
| 58 | Scott Sanders | Guitar (Steel) |
| 59 | Bobby Shin | Engineer |
| 60 | Alan Silverman | Mastering |
| 61 | Jimmie Lee Sloas | Bass |
| 62 | Jared Stuffle | Group Member |
| 63 | Libbi Perry Stuffle | Group Member |
| 64 | Tracy Stuffle | Group Member |
| 65 | Kirk Talley | Composer |
| 66 | Charles Trivette | Vocal Engineer |
| 67 | Sydney Trivette | Choir/Chorus |
| 68 | Wesley Trivette | Choir/Chorus |
| 69 | Blake Whitlock | Choir/Chorus |
| 70 | Lonnie Wilson | Drums, Percussion |
| 71 | Jon Wise | Choir/Chorus |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |