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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The Warm-Up Man ForeverTim Bowness | Tim Bowness | Play | 04:07 | 9 MB | 0 MB |
| 2 | Smiler at 50Tim Bowness | Tim Bowness | Play | 08:19 | 19 MB | 0 MB |
| 3 | Songs of Distant SummersTim Bowness, Stuart Laws | Tim Bowness | Play | 05:02 | 11 MB | 0 MB |
| 4 | WaterfootTim Bowness, Keeling | Tim Bowness | Play | 04:14 | 9 MB | 0 MB |
| 5 | Dancing for YouTim Bowness | Tim Bowness | Play | 05:59 | 13 MB | 0 MB |
| 6 | Smiler at 52Tim Bowness | Tim Bowness | Play | 04:05 | 9 MB | 0 MB |
| 7 | I Fought Against the SouthTim Bowness | Tim Bowness | Play | 08:51 | 20 MB | 0 MB |
| 8 | Beaten By LoveTim Bowness | Tim Bowness | Play | 03:30 | 8 MB | 0 MB |
| 9 | Sounds of Distant Summers [Songs of Distant Summers, Richard Barbieri Mix]Tim Bowness, Stuart Laws | Tim Bowness | Play | 05:31 | 12 MB | 0 MB |
| 10 | Singing for You (Dancing for You) [UXB Mix]Tim Bowness | Tim Bowness | Play | 04:42 | 10 MB | 0 MB |
| 11 | The Warm-Up Man Forever [Band Version]Tim Bowness | Tim Bowness | Play | 04:15 | 9 MB | 0 MB |
| 12 | Songs of Distant Summers, Pt. 1 [Band Version]Tim Bowness, Stuart Laws | Tim Bowness | Play | 04:55 | 11 MB | 0 MB |
| 13 | Songs of Distant Summers, Pt. 2 [Band Version]Tim Bowness, Stuart Laws | Tim Bowness | Play | 04:02 | 9 MB | 0 MB |
| 14 | Abandoned Dancehall Dream | Tim Bowness | Play | 02:25 | 5 MB | 0 MB |
| 15 | The Sweetest Bitter Pill | Tim Bowness | Play | 03:51 | 8 MB | 0 MB |
| 16 | There Were Days (Smiler at 52) (Grasscut Mix) | Tim Bowness | Play | 04:54 | 11 MB | 0 MB |
| 78 mins | 180 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | James Anderson | Booking, Management |
| 2 | Matt Ankers | Vocal Ensemble |
| 3 | Richard Barbieri | Keyboards, Percussion Programming, Synthesizer |
| 4 | Michael Bearpark | Guitar, Soloist, Sounds |
| 5 | Stephen Bennett | Drum Programming, Engineer, Fender Rhodes, Keyboards, Korg Synthesizer, Mini Moog, Mixing, Oberheim OB8, Orchestra, Piano (Upright), Producer, Synthaxe, Synthesizer, Synthesizer Strings |
| 6 | Steve Bingham | Violin |
| 7 | Andrew Booker | Drums |
| 8 | Tim Bowness | Composer, Drum Programming, Engineer, Guitar, Instrumentation, Keyboards, Mellotron, Piano, Primary Artist, Producer, Vocals |
| 9 | Toby Butchart | Engineer |
| 10 | Dave Cottrell | Engineer |
| 11 | Neil Cowlan | Engineer |
| 12 | Charlotte Dowding | Violin |
| 13 | Colin Edwin | Bass, Double Bass |
| 14 | Jarrod Gosling | Cover Art, Layout |
| 15 | Andy Jackson | Mastering |
| 16 | Keeling | Composer |
| 17 | Andrew Keeling | Bass, Flute, Guitar (Acoustic), Organ, Percussion, String Arrangements |
| 18 | Charlotte Kinson | Photography |
| 19 | Stuart Laws | Atmosphere, Composer, Effects, Engineer, Keyboards, Percussion, Piano, Synthesizer Bass, Synthesizer Pads |
| 20 | Eliza Legzedina | Vocal Ensemble |
| 21 | Pat Mastelotto | Drums |
| 22 | Andreas Mesa | Engineer |
| 23 | Pete Morgan | Bass, Instrumentation, Programming |
| 24 | Andrew Phillips | Instrumentation, Programming |
| 25 | Anna Phoebe | Violin |
| 26 | Mick Waring | Engineer |
| 27 | Steven Wilson | Drum Machine, Engineer, Guitar, Mixing |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |