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Joe Cocker's brief association with 550 Music failed to generate any interest, so when he moved to CMC International -- the home of all aging artists with slowly decreasing audiences -- he didn't try to make himself current, but settled into the mature adult contemporary demographic.
The diminished expectations and goals actually suit Cocker well.
Granted, the songs themselves aren't all terrific, but his performances are nice and understated.
Ultimately, Across from Midnight is an album that will satisfy dedicated followers and few other listeners, but that's not a bad thing at all.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | TonightMax Carl, Greg Sutton | Joe Cocker | Play | 04:49 | 0 MB | 36 MB |
| 2 | That's All I Need to KnowGraham Lyle, Eros Ramazzotti, Vladi Tosetto | Joe Cocker | Play | 04:04 | 0 MB | 28 MB |
| 3 | Wayward Soul | Joe Cocker | Play | 04:16 | 0 MB | 29 MB |
| 4 | Loving You TonightChris Difford, Glenn Tilbrook | Joe Cocker | Play | 04:38 | 0 MB | 35 MB |
| 5 | Across from Midnight | Joe Cocker | Play | 04:57 | 0 MB | 35 MB |
| 6 | The Last One to Know | Joe Cocker | Play | 03:30 | 0 MB | 26 MB |
| 7 | Could You Be Loved | Joe Cocker | Play | 05:47 | 0 MB | 44 MB |
| 8 | N'Oubliez Jamais | Joe Cocker | Play | 04:43 | 0 MB | 33 MB |
| 9 | What Do I Tell My Heart | Joe Cocker | Play | 05:00 | 0 MB | 39 MB |
| 10 | What Do You Say | Joe Cocker | Play | 04:41 | 0 MB | 34 MB |
| 0 mins | 0 MB | |||||
| 46 mins | 344 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Kenny Aronoff | Drums |
| 2 | Matt Backer | Guitar |
| 3 | Andy Baker | Engineer |
| 4 | Miles Bould | Percussion |
| 5 | Alexandra Brown | Vocals (Background) |
| 6 | Max Carl | Composer |
| 7 | Joe Cocker | Executive Producer, Primary Artist |
| 8 | Louise Conti | Percussion |
| 9 | Tony Cousins | Mastering |
| 10 | Jim Cregan | Composer |
| 11 | Roger Davies | Executive Producer, Producer |
| 12 | Stephen Allen Davis | Composer |
| 13 | Chris Difford | Composer, Vocals (Background) |
| 14 | Joey Diggs | Vocals (Background) |
| 15 | Geoff Dunn | Drums |
| 16 | Martin Dutasta | Assistant Engineer |
| 17 | Mike Dy | Assistant Engineer |
| 18 | Mark Feltham | Harmonica |
| 19 | Claudia Fontaine | Vocals (Background) |
| 20 | Greg Gorman | Photography |
| 21 | Gary Grant | Trumpet |
| 22 | Dave Harman | Engineer |
| 23 | Jerry Hey | Trumpet |
| 24 | Dan Higgins | Saxophone |
| 25 | Matt Howe | Engineer |
| 26 | Garry Hughes | Synthesizer, Synthesizer Strings |
| 27 | James "Hutch" Hutchinson | Bass |
| 28 | Nick Ingman | String Arrangements |
| 29 | Mortonette Jenkins | Vocals (Background) |
| 30 | Marlena Jeter | Vocals (Background) |
| 31 | Ronnie Johnson | Guitar |
| 32 | Russ Kunkel | Composer |
| 33 | Michael Landau | Guitar |
| 34 | Little Willie John | Composer |
| 35 | Chris Lord-Alge | Engineer, Producer |
| 36 | Graham Lyle | Composer, Guitar (Acoustic) |
| 37 | Bob Marley | Composer |
| 38 | Dick Marx | Horn Arrangements |
| 39 | A. Mixdorf | Assistant Engineer |
| 40 | Norman Moore | Art Direction, Design |
| 41 | Rick Neigher | Composer |
| 42 | Tessa Niles | Vocals (Background) |
| 43 | Michael Owens | Photography |
| 44 | Rafael Padilla | Percussion |
| 45 | Dean Parks | Guitar, Guitar (12 String), Guitar (Acoustic), Guitar (Electric), Wah Wah Guitar |
| 46 | Lee Phillips | Mixing Assistant |
| 47 | Tim Pierce | Guitar |
| 48 | Steve Pigott | Keyboards |
| 49 | Eros Ramazzotti | Composer |
| 50 | William Frank "Bill" Reichenbach Jr. | Trombone |
| 51 | Tim Renwick | Guitar |
| 52 | Juliet Roberts | Vocals (Background) |
| 53 | John "J.R." Robinson | Drums |
| 54 | Doug Sax | Mastering |
| 55 | John Shanks | Composer |
| 56 | Steve Sidwell | Trumpet |
| 57 | Peter Smith | Producer |
| 58 | Peter Smith | Vocals (Background) |
| 59 | Phil Spalding | Bass, Vocals (Background) |
| 60 | Nigel Spennywin | Guitar |
| 61 | Chris Stainton | Fender Rhodes, Piano |
| 62 | Chris Steinton | Piano |
| 63 | Neil Stubenhaus | Bass |
| 64 | Greg Sutton | Composer |
| 65 | Jamie Talbot | Saxophone |
| 66 | Bob Thiele | Producer |
| 67 | Glenn Tilbrook | Composer, Guest Artist, Guitar, Vocals (Background) |
| 68 | Vladi Tosetto | Composer |
| 69 | Lamont VanHook | Vocals (Background) |
| 70 | Jeffrey "C.J." Vanston | Fender Rhodes, Organ (Hammond), String Arrangements, Synthesizer |
| 71 | Fred White | Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |