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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Living Toys, Op.9 (1993): I. Angels - | London Sinfonietta, Markus Stenz | Play | 02:16 | 5 MB | 0 MB |
| 2 | Living Toys, Op.9 (1993): II. Aurochs - | London Sinfonietta, Markus Stenz | Play | 02:28 | 5 MB | 0 MB |
| 3 | Living Toys, Op.9 (1993): BALETT - | London Sinfonietta, Markus Stenz | Play | 00:57 | 2 MB | 0 MB |
| 4 | Living Toys, Op.9 (1993): III Militiamen - | London Sinfonietta, Markus Stenz | Play | 01:53 | 4 MB | 0 MB |
| 5 | Living Toys, Op.9 (1993): IV. H.A.L.'s Death - | London Sinfonietta, Markus Stenz | Play | 03:20 | 7 MB | 0 MB |
| 6 | Living Toys, Op.9 (1993): BATTLE - | London Sinfonietta, Markus Stenz | Play | 02:15 | 5 MB | 0 MB |
| 7 | Living Toys, Op.9 (1993): V. Playing Funerals - | London Sinfonietta, Markus Stenz | Play | 03:58 | 9 MB | 0 MB |
| 8 | Living Toys, Op.9 (1993): TABLET | London Sinfonietta, Markus Stenz | Play | 01:55 | 4 MB | 0 MB |
| 9 | Arcadiana, Op.12 (1994): I. Venezia notturna | Thomas Adès | Play | 02:47 | 6 MB | 0 MB |
| 10 | Arcadiana, Op.12 (1994): II. Das klinget so herrlich, das Iklinget so schön | Thomas Adès | Play | 01:30 | 3 MB | 0 MB |
| 11 | Arcadiana, Op.12 (1994): III. Auf dem Wasser zu singen | Thomas Adès | Play | 02:33 | 5 MB | 0 MB |
| 12 | Arcadiana, Op.12 (1994): IV. Et....(tango mortale) | Thomas Adès | Play | 04:13 | 9 MB | 0 MB |
| 13 | Arcadiana, Op.12 (1994): V. L'Embarquement - | Thomas Adès | Play | 02:27 | 5 MB | 0 MB |
| 14 | Arcadiana, Op.12 (1994): VI. O Albion | Thomas Adès | Play | 03:09 | 7 MB | 0 MB |
| 15 | Arcadiana, Op.12 (1994): VII. Lethe | Thomas Adès | Play | 02:46 | 6 MB | 0 MB |
| 16 | Sonata da Caccia, Op.11 (1993): I. Gravement - | Michael Niesemann/Andrew Clark/Thomas Adès | Play | 03:20 | 7 MB | 0 MB |
| 17 | Sonata da Caccia, Op.11 (1993): II. Gayëment - | Michael Niesemann/Andrew Clark/Thomas Adès | Play | 03:32 | 8 MB | 0 MB |
| 18 | Sonata da Caccia, Op.11 (1993): III. Naïvement | Michael Niesemann/Andrew Clark/Thomas Adès | Play | 04:09 | 9 MB | 0 MB |
| 19 | Sonata da Caccia, Op.11 (1993): IV. Galament | Michael Niesemann/Andrew Clark/Thomas Adès | Play | 01:34 | 3 MB | 0 MB |
| 20 | The Origin of the Harp, Op.13 (1994): I. Dolcissimo ed espressivo | Lynsey Marsh, Barnaby Robson, Paul Richards | Play | 02:13 | 5 MB | 0 MB |
| 21 | The Origin of the Harp, Op.13 (1994): II. Largo con moto | Lynsey Marsh, Barnaby Robson, Paul Richards | Play | 02:05 | 4 MB | 0 MB |
| 22 | The Origin of the Harp, Op.13 (1994): III. Spettrale | Lynsey Marsh, Barnaby Robson, Paul Richards | Play | 02:32 | 5 MB | 0 MB |
| 23 | The Origin of the Harp, Op.13 (1994): IV. [untitled] | Lynsey Marsh, Barnaby Robson, Paul Richards | Play | 02:28 | 5 MB | 0 MB |
| 24 | Gefriolsae me, Op.3b (1990) | Choir of King's College, Choir Of Trinity College, Cambridge | Play | 03:49 | 8 MB | 0 MB |
| 64 mins | 147 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |