Like his self-titled debut, which coasted to the Top Ten of the Billboard 200, Jeremih’s All About You is produced by partner Mick Schultz.
Schultz’s beats on Jeremih amalgamated the styles of numerous contemporaries, and there is not much advancement on the follow-up, while the opening “All About You” is pretty close to a direct swipe of the-Dream's “Shawty Is a 10.” Jeremih often sounds drowsy, detached, and slumped in his VIP club booth, instead of on the prowl.
Nothing approaches the bounding swagger of the debut’s “Break Up to Make Up,” and “Wanna Get Up,” the most overt dancefloor track, lacks the appeal of “Runway” and is ultimately forgettable.
Worst of all is “Holding On,” an earnest, vaguely inspirational ballad song not built for Jeremih’s voice, which is best suited for lecherous material.
The highlights, unsurprisingly, are the ballads for the bedroom, though some of the lyrics -- like “That’s right, we go from six to nine o’clock” -- might result in groans of an undesirable sort.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | All About YouJeremy Felton | Jeremih | Play | 03:39 | 8 MB | 24 MB |
| 2 | Down on MeJeremy Felton, C. Jackson | Jeremih | Play | 03:48 | 8 MB | 26 MB |
| 3 | Take OffJeremy Felton | Jeremih | Play | 03:32 | 8 MB | 23 MB |
| 4 | I LikeChristopher Bridges, Jeremy Felton | Jeremih | Play | 03:38 | 8 MB | 23 MB |
| 5 | Waiter/The 5 SensesJeremy Felton | Jeremih | Play | 05:49 | 13 MB | 33 MB |
| 6 | Broken DownJeremy Felton | Jeremih | Play | 03:39 | 8 MB | 20 MB |
| 7 | Holding OnJeremy Felton | Jeremih | Play | 03:31 | 8 MB | 23 MB |
| 8 | Wanna Get UpJeremy Felton | Jeremih | Play | 03:54 | 8 MB | 28 MB |
| 9 | SleepersJeremy Felton | Jeremih | Play | 03:43 | 8 MB | 21 MB |
| 10 | Love Don't ChangeJeremy Felton | Jeremih | Play | 04:16 | 9 MB | 27 MB |
| 11 | X's And O's | Jeremih | Play | 03:52 | 8 MB | 27 MB |
| 43 mins | 99 MB | |||||
| 43 mins | 279 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | 50 Cent | Featured Artist |
| 2 | Ian Allen | Music Business Affairs |
| 3 | Eric Archibald | Stylist |
| 4 | Al Branch | Marketing |
| 5 | Christopher Bridges | Composer |
| 6 | Leesa D. Brunson | A&R |
| 7 | Tom Coyne | Mastering |
| 8 | Vol Davis III | Music Business Affairs |
| 9 | Kal "Boogie" Dellaportas | Engineer |
| 10 | Rick DeVarona | Vocal Engineer |
| 11 | Luis A. Duran | Executive Producer |
| 12 | Jeremy Felton | Composer |
| 13 | Stephen Ferrera | A&R |
| 14 | Patrick Hegarty | Art Direction, Design |
| 15 | C. Jackson | Composer |
| 16 | Keith James | Vocal Producer |
| 17 | Keith James | Composer |
| 18 | Jeremih | Executive Producer, Primary Artist, Vocal Producer |
| 19 | Terese Joseph | A&R |
| 20 | Ken Lewis | Mixing |
| 21 | Tai Linzie | Artwork, Photo Coordination |
| 22 | Ludacris | Featured Artist |
| 23 | Chris "Trife" Patilis | Assistant Engineer |
| 24 | Eric Peterson | Mixing |
| 25 | L.A. Reid | Executive Producer |
| 26 | Mick Schultz | Engineer, Executive Producer, Producer, Vocal Producer |
| 27 | Antoinette Trotman | Music Business Affairs |
| 28 | Diwang Valdez | Photography |
| 29 | Nicole Wyskoarko | Music Business Affairs |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |