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With a trend toward the uplifting, Shinedown push their sound in an increasingly positive direction on their fourth album, Amaryllis.
While the album still has the driving, hard rock backbone that the band has been building their post-grunge sound upon for years, there's something more anthemic about this effort, as if every song is an attempt to rouse listeners out of their seats, and to that end, it's largely successful.
Though songs like "Adrenaline" and "Enemies" still have a good, hard edge to them, the sweeping arrangements of tracks like "Unity" and "I'm Not Alright" always seem to pull the album back into more inspirational waters.
Even with this change of tone, the album is still classic Shinedown, and though this kind of triumphant mood will probably disappoint fans looking for something to cut loose and pump their fists to, with such positive overtones at work, at least it'll leave them feeling good about it.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | AdrenalineDave Bassett, Brent Smith | Shinedown | Play | 03:26 | 7 MB | 26 MB |
| 2 | BullyDave Bassett, Zach Myers, Brent Smith | Shinedown | Play | 04:02 | 9 MB | 31 MB |
| 3 | AmaryllisDave Bassett, Brent Smith | Shinedown | Play | 04:04 | 9 MB | 31 MB |
| 4 | UnityEric Bass, Dave Bassett, Brent Smith | Shinedown | Play | 04:12 | 9 MB | 32 MB |
| 5 | EnemiesEric Bass, Dave Bassett, Brent Smith | Shinedown | Play | 03:08 | 7 MB | 25 MB |
| 6 | Nowhere KidsEric Bass, Dave Bassett, Brent Smith | Shinedown | Play | 03:11 | 7 MB | 25 MB |
| 7 | MiracleDave Bassett, Brent Smith | Shinedown | Play | 03:39 | 8 MB | 27 MB |
| 8 | I'll Follow YouEric Bass, Dave Bassett, Brent Smith | Shinedown | Play | 03:58 | 9 MB | 27 MB |
| 9 | For My SakeDave Bassett, Brent Smith | Shinedown | Play | 03:47 | 8 MB | 28 MB |
| 10 | My Name (Wearing Me Out)Dave Bassett, Brent Smith | Shinedown | Play | 03:36 | 8 MB | 26 MB |
| 11 | Through the GhostDave Bassett, Brent Smith | Shinedown | Play | 04:01 | 9 MB | 28 MB |
| 12 | I'm Not Allright | Shinedown | Play | 03:07 | 7 MB | 24 MB |
| 44 mins | 101 MB | |||||
| 44 mins | 336 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Nico Abondolo | Bass |
| 2 | Brandon "Bear" Alanis | Drum Technician |
| 3 | Keith Armstrong | Mixing Assistant |
| 4 | August Bagg | Children's Chorus |
| 5 | Rick Baptist | Trumpet |
| 6 | Eric Bass | Additional Production, Bass, Composer, Guitar, Piano, Vocals (Background) |
| 7 | Dave Bassett | Additional Production, Composer, Guitar, Vocal Producer, Vocals (Background) |
| 8 | Steven Becknell | Horn |
| 9 | Wayne Bergeron | Piccolo Trumpet |
| 10 | Charlie Bisharat | Concert Master, Violin |
| 11 | Hannah "Caz" Blatt | Children's Chorus |
| 12 | Jacqueline Brand | Violin |
| 13 | Martin Briley | Producer, Vocal Producer |
| 14 | Boyce Buchanan | Children's Chorus |
| 15 | Denyse Buffom | Viola |
| 16 | Gwyther Bultman | Management |
| 17 | Dana Calitri | Composer, Producer, Vocal Producer |
| 18 | David Campbell | Conductor, Horn Arrangements, String Arrangements |
| 19 | Darius Campo | Violin |
| 20 | Rob Cavallo | Guitar, Keyboards, Producer |
| 21 | Arielle Cohen | Children's Chorus |
| 22 | Kevin Connolly | Violin |
| 23 | Anthony Delia | Marketing |
| 24 | Andrew Duckles | Viola |
| 25 | Mike Fasano | Drum Technician |
| 26 | Donald Ferrone | Bass |
| 27 | Lars Fox | Pro-Tools |
| 28 | Matthew Funes | Viola |
| 29 | John Furno | Trumpet |
| 30 | Scott McKay Gibson | Pro-Tools |
| 31 | Jake Gorski | Assistant Engineer |
| 32 | The Gyrlz | Producer, Vocal Producer |
| 33 | David J. Harrigan III | Art Direction, Design |
| 34 | Tamara Hatwan | Violin |
| 35 | Gerry Hillera | Violin |
| 36 | Paula Hochhalter | Celli |
| 37 | Steve Holman | Trombone |
| 38 | Clayton Jackson | Production Assistant |
| 39 | Cheryl Jenets | Production Manager |
| 40 | Ted Jensen | Mastering |
| 41 | Alan Kaplan | Trombone |
| 42 | Nik Karpen | Mixing Assistant |
| 43 | Suzie Katayama | Celli, Contractor |
| 44 | Roland Kato | Viola |
| 45 | Sonam KC | Children's Chorus |
| 46 | Barry Kerch | Drums, Percussion |
| 47 | Paul Klintworth | Horn |
| 48 | Songa Lee | Violin |
| 49 | Natalie Leggett | Violin |
| 50 | Mario de León | Violin |
| 51 | Chris Lord-Alge | Mixing |
| 52 | Bill McGathy | Management |
| 53 | Doug McKean | Engineer |
| 54 | Serena McKinney | Violin |
| 55 | James Minchin III | Photography |
| 56 | Bryan Morton | Assistant Engineer |
| 57 | Jamie Muhoberac | Keyboards, Piano |
| 58 | Zach Myers | Composer, Guitar, Vocals (Background) |
| 59 | Lowell Novitch | Children's Chorus |
| 60 | Ron Opaleski | Booking |
| 61 | Nina Ossoff | Composer, Producer, Vocal Producer |
| 62 | Charlie Paakari | Assistant Engineer |
| 63 | Sid Page | Violin |
| 64 | Alyssa Park | Violin |
| 65 | Tim Pierce | Guitar |
| 66 | Katia Popov | Violin |
| 67 | Steve Rea | Assistant Engineer |
| 68 | Michelle Richards | Violin |
| 69 | Steve Richards | Celli |
| 70 | Steve Robertson | A&R |
| 71 | Michelle Rogel | Production Assistant |
| 72 | Skylar Saltzmann | Children's Chorus |
| 73 | Kim Scholes | Celli |
| 74 | Andrew Schubert | Mixing Engineer |
| 75 | Wesley Seidman | Assistant Engineer |
| 76 | Shinedown | Primary Artist |
| 77 | Barbara Klaskin Silberg | Choir Director |
| 78 | Pamela Simon | Package Manager |
| 79 | Brent Smith | Composer, Vocals |
| 80 | Finn Snyder | Children's Chorus |
| 81 | Andrew Steele | Children's Chorus |
| 82 | Rudy Stein | Celli |
| 83 | Dave Stone | Bass |
| 84 | Mario Thomas | Children's Chorus |
| 85 | Brad Townsend | Mixing Engineer |
| 86 | Michael Valerio | Bass |
| 87 | Josefina Vergara | Violin |
| 88 | Kate Vincent | Viola |
| 89 | Russ Waugh | Assistant Engineer |
| 90 | The West Los Angeles Children's Choir | Main Personnel |
| 91 | John Wittenberg | Violin |
| 92 | Ken Yorke | Violin |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |