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Canadian blues guitarist Colin James turns in a fine set of both original and cover material.
Paring back the sound of his previous effort to the basic guitar, bass and drums, James uses horns and keyboards to color and accentuate certain tracks rather than overwhelm.
He works his blues magic on such covers as Robert Johnson's "Walkin' Blues" and Jerry Lynn Williams' "Standing on the Edge of Love" while proving his own songwriting capabilities on cuts like "Freedom" and "Better Days." A great return to form.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | SaviourKevin Coyne | Colin James | Play | 04:41 | 10 MB | 32 MB |
| 2 | FreedomColin James, T. Wilson | Colin James | Play | 05:27 | 12 MB | 33 MB |
| 3 | Standin' on the EdgeRick Nielsen, Mark Radice, Robin Zander | Colin James | Play | 03:45 | 8 MB | 24 MB |
| 4 | Real StuffColin James, Colin Linden | Colin James | Play | 04:21 | 9 MB | 28 MB |
| 5 | Better DaysColin James | Colin James | Play | 04:40 | 10 MB | 29 MB |
| 6 | I Can't Hold OutElmore James | Colin James | Play | 04:13 | 9 MB | 26 MB |
| 7 | Bad HabitsDavid Brewer | Colin James | Play | 05:16 | 12 MB | 32 MB |
| 8 | Forty-FourChester Burnett, Howlin' Wolf | Colin James | Play | 04:33 | 10 MB | 27 MB |
| 9 | Walkin' BluesRobert Johnson | Colin James | Play | 03:28 | 7 MB | 22 MB |
| 10 | Atlanta MoanRobert Hicks | Colin James | Play | 03:12 | 7 MB | 14 MB |
| 11 | SpeechlessColin James | Colin James | Play | 04:18 | 9 MB | 22 MB |
| 48 mins | 109 MB | |||||
| 48 mins | 293 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Gordon "Sax" Beadle | Sax (Tenor) |
| 2 | Oswald "Wiz" Bowe | Assistant Engineer |
| 3 | David Brewer | Composer |
| 4 | Chester Burnett | Composer |
| 5 | Greg Calbi | Mastering |
| 6 | Kevin Coyne | Composer |
| 7 | Mickey Curry | Drums, Percussion |
| 8 | Sarah Dash | Guest Artist, Vocals |
| 9 | Bob Enos | Trumpet |
| 10 | Terry Evans | Guest Artist, Vocals |
| 11 | Johnny Ferreira | Saxophone |
| 12 | Robert Hicks | Composer |
| 13 | Howlin' Wolf | Composer |
| 14 | James "Hutch" Hutchinson | Bass |
| 15 | Colin James | Composer, Guitar, Guitar (Acoustic), Guitar (Electric), Guitar (Steel), Mandolin, Primary Artist, Vocals |
| 16 | Doug James | Sax (Baritone) |
| 17 | Elmore James | Composer |
| 18 | Robert Johnson | Composer |
| 19 | Chris Kimsey | Engineer, Mixing, Producer |
| 20 | Bobby King | Guest Artist, Vocals |
| 21 | Lenny Kravitz | Clavinet, Guest Artist |
| 22 | Jeffrey Lesser | Mastering |
| 23 | Colin Linden | Composer |
| 24 | Dean Maher | Re-Editing |
| 25 | Rick Nielsen | Composer |
| 26 | James OMara | Art Direction, Photography |
| 27 | Mark Radice | Composer |
| 28 | Rene Spooner | Percussion |
| 29 | Mavis Staples | Guest Artist, Vocals |
| 30 | Joel Van Dyke | Mixing |
| 31 | Waddy Wachtel | Guitar (Rhythm) |
| 32 | Kim Wilson | Guest Artist, Harmonica |
| 33 | T. Wilson | Composer |
| 34 | Reese Wynans | Organ, Piano |
| 35 | Robin Zander | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |