It wasn't until Toronto's Arts & Crafts label released Broken Social Scene's You Forgot It in People in early summer 2003 that the band's experimental indie pop caught on in America.
A Juno Award for best alternative album and a successful North American tour later, Broken Social Scene issue a delightful collection of B-sides, Bee Hives.
Recorded for their friends, the nine-song selection is essentially an album of instrumentals; however, it captures different shades and moods of the band's thus-far five-year career quite nicely.
The twangy banjo licks of "Backyards" were specially recorded as a project for one of Broken Social Scene's friends in art school.
Brendan Canning, Charles Spearin, Kevin Drew, and the wispy vocals of Emily Haines had to have helped their friend earn a top grade, for the dreamy soundscape that is "Backyards" is surely a standout in the band's catalog.
Dressed in a hushing mix of guitars, organs, and synth beats, "hHallmark" and "Ambulance for the Ambience" are two charming tracks recorded in between Feel Good Lost and You Forgot It in People.
The listener should sense Broken Social Scene's earnest approach in experimenting with their lo-fi-induced style of sound throughout Bee Hives; therefore, the distinctive arrangement of each song will be as interesting as each one unfolds.
"Time = Cause," which coincided with the U.K.
single for "Stars and Sons," is a song like that.
It explores more of a dark-colored side to the band's typically glossy pop.
Backing vocals are ghostly while strings and electronic rhythms are nearly colorless.
That's not to say Bee Hives is mostly unspirited; there's a calmer spirit lingering around Broken Social Scene.
The lush version of "Lover's Spit" that's included on You Forgot It In People is stripped down to just a piano.
It hurts so much more, mostly due to the beautifully aching lead vocals from Leslie Feist, but in the way that's positively affecting.
If you want to single out one stunning moment, that's the one.
It cushions Bee Hives for the wonder that it is.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Market Fresh | Broken Social Scene | Play | 03:57 | 9 MB | 26 MB |
| 2 | Weddings | Broken Social Scene | Play | 07:02 | 16 MB | 37 MB |
| 3 | hHallmark | Broken Social Scene | Play | 03:53 | 8 MB | 22 MB |
| 4 | Backyards | Broken Social Scene | Play | 08:14 | 18 MB | 57 MB |
| 5 | Da Da Da Da | Broken Social Scene | Play | 07:09 | 16 MB | 39 MB |
| 6 | Ambulance for the Ambience | Broken Social Scene | Play | 05:18 | 12 MB | 25 MB |
| 7 | Time = Cause | Broken Social Scene | Play | 05:07 | 11 MB | 27 MB |
| 8 | Lover's SpitBroken Social Scene | Broken Social Scene | Play | 07:34 | 17 MB | 45 MB |
| 48 mins | 110 MB | |||||
| 48 mins | 282 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Ohad Benchetrit | Member of Attributed Artist, Performer, Producer |
| 2 | Broken Social Scene | Composer, Primary Artist |
| 3 | Brendan Canning | Member of Attributed Artist, Performer |
| 4 | Jason Collett | Member of Attributed Artist |
| 5 | Kevin Drew | Member of Attributed Artist, Performer |
| 6 | Feist | Featured Artist |
| 7 | Leslie Feist | Member of Attributed Artist, Performer |
| 8 | Emily Haines | Featured Artist, Member of Attributed Artist |
| 9 | Noah Mintz | Mastering |
| 10 | Jessica Moss | Member of Attributed Artist, Performer |
| 11 | Dave Newfeld | Member of Attributed Artist, Performer, Producer |
| 12 | Justin Peroff | Artwork, Member of Attributed Artist, Performer |
| 13 | Charles Spearin | Member of Attributed Artist, Performer |
| 14 | Louise Upperton | Layout Design |
| 15 | Andrew Whiteman | Member of Attributed Artist, Performer |
| 16 | Richard Woodcraft | Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |