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All That Remains combines the throat-tearing vocals and whiplash tempos of '90s-style grindcore with a dual-guitar melodicism and musicality that can be traced back to early Iron Maiden.
Philip Labonte's Max Cavalera-esque vocal style renders most of the words unintelligible, but a scan of the lyric sheet reveals not the usual quasi-satanic death metal stuff, but surprisingly heartfelt meditations on fate, longing, and lost dreams.
This, along with the sensuous cover art (not to mention the band's name), lends a sort of gothic aura to the proceedings -- which in turn helps to distinguish All That Remains from its gore-obsessed peers.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Behind Silence and SolitudeAll That Remains | All That Remains | Play | 04:19 | 9 MB | 32 MB |
| 2 | From These WoundsAll That Remains | All That Remains | Play | 04:35 | 10 MB | 34 MB |
| 3 | FollowAll That Remains | All That Remains | Play | 04:02 | 9 MB | 30 MB |
| 4 | ClarityAll That Remains | All That Remains | Play | 05:37 | 12 MB | 41 MB |
| 5 | EraseAll That Remains | All That Remains | Play | 06:14 | 14 MB | 44 MB |
| 6 | ShadingAll That Remains | All That Remains | Play | 03:51 | 8 MB | 29 MB |
| 7 | Home to MeTom Paxton, All That Remains | All That Remains | Play | 06:46 | 15 MB | 50 MB |
| 8 | One BeliefAll That Remains | All That Remains | Play | 04:30 | 10 MB | 34 MB |
| 39 mins | 91 MB | |||||
| 39 mins | 299 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | All That Remains | Arranger, Composer, Primary Artist, Producer |
| 2 | Chris Bartlett | Guitar |
| 3 | Michael Bartlett | Drums |
| 4 | Danny Egan | Bass |
| 5 | Philip Labonte | Vocals |
| 6 | Tom Paxton | Composer |
| 7 | Zeuss | Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |