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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | When You Come Back to MeStock, Aitken & Waterman | Jason Donovan | Play | 03:32 | 8 MB | 24 MB |
| 2 | Hang On to Your LoveStock, Aitken & Waterman | Jason Donovan | Play | 02:59 | 6 MB | 20 MB |
| 3 | Another NightStock, Aitken & Waterman | Jason Donovan | Play | 03:22 | 7 MB | 24 MB |
| 4 | Love Would Find a WayStock, Aitken & Waterman | Jason Donovan | Play | 03:32 | 8 MB | 24 MB |
| 5 | Rhythm of the RainJohn Gummoe | Jason Donovan | Play | 03:09 | 7 MB | 21 MB |
| 6 | I'm Doing FineStock, Aitken & Waterman | Jason Donovan | Play | 03:01 | 6 MB | 20 MB |
| 7 | Careless Talk and Silly LiesStock, Aitken & Waterman | Jason Donovan | Play | 03:25 | 7 MB | 22 MB |
| 8 | When it's All OverStock, Aitken & Waterman | Jason Donovan | Play | 03:41 | 8 MB | 24 MB |
| 9 | Hard to Say it's OverStock, Aitken & Waterman | Jason Donovan | Play | 03:32 | 8 MB | 24 MB |
| 10 | Hang On to Your LoveStock, Aitken & Waterman | Jason Donovan | Play | 02:59 | 6 MB | 20 MB |
| 11 | Another NightStock, Aitken & Waterman | Jason Donovan | Play | 03:22 | 7 MB | 24 MB |
| 12 | Rhythm of the RainJohn Gummoe | Jason Donovan | Play | 03:09 | 7 MB | 21 MB |
| 13 | I'm Doing FineStock, Aitken & Waterman | Jason Donovan | Play | 03:01 | 6 MB | 20 MB |
| 14 | Like It Way Yesterday | Jason Donovan | Play | 02:55 | 6 MB | 20 MB |
| 45 mins | 104 MB | |||||
| 45 mins | 312 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Matt Aitken | Guitar, Keyboards |
| 2 | Jason Barron | Assistant Engineer |
| 3 | Garry Bonner | Composer |
| 4 | Peter Day | Assistant Engineer, Engineer, Mixing |
| 5 | Gordon Dennis | Assistant Engineer |
| 6 | Jason Donovan | Primary Artist |
| 7 | Dave Ford | Mixing |
| 8 | Simon Fowler | Photography |
| 9 | Dillon Gallagher | Mixing |
| 10 | Julian Gingell | Assistant Engineer, Keyboards |
| 11 | Alan Gordon | Composer |
| 12 | John Gummoe | Composer |
| 13 | Pete Hammond | Mixing |
| 14 | Phil Harding | Mixing |
| 15 | Karen Hewitt | Engineer, Mixing |
| 16 | Val Jennings | Project Coordinator |
| 17 | Tony King | Mixing |
| 18 | Chris McDonnell | Assistant Engineer |
| 19 | Mae McKenna | Vocals (Background) |
| 20 | Tom Parker | Liner Notes, Mastering |
| 21 | Leslie Sharma | Assistant Engineer |
| 22 | Shazza | Assistant |
| 23 | Stock, Aitken & Waterman | Composer |
| 24 | Mike Stock | Keyboards, Vocals (Background) |
| 25 | Miriam Stockley | Vocals (Background) |
| 26 | Barry Stone | Assistant Engineer |
| 27 | Linda Taylor | Vocals (Background) |
| 28 | Bill Trader | Composer |
| 29 | Paul Waterman | Assistant Engineer |
| 30 | Yoyo | Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |