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Returning to the studio after a 14-year layoff, Emerson, Lake & Palmer stripped down their sound and amped up their attack for 1992's BLACK MOON.
Its closest sonic cousin is the mid-'80s album Emerson and Lake recorded with drummer Cozy Powell.
Sharp digital electronics replace Keith Emerson's classic analog synthesizer sounds, and the fanciful, classical-influenced prog-rock epics of yore are streamlined into a more accessible mainstream rock format, though some traces of the trio's vintage flash still pop up.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Black MoonKeith Emerson, Greg Lake, Carl Palmer | Emerson, Lake & Palmer | Play | 06:59 | 15 MB | 42 MB |
| 2 | Paper BloodKeith Emerson, Greg Lake, Carl Palmer | Emerson, Lake & Palmer | Play | 04:28 | 10 MB | 30 MB |
| 3 | Affairs of the HeartGeoffrey Downes, Greg Lake | Emerson, Lake & Palmer | Play | 03:47 | 8 MB | 22 MB |
| 4 | Romeo and JulietSergey Prokofiev | Emerson, Lake & Palmer | Play | 03:42 | 8 MB | 24 MB |
| 5 | Farewell to ArmsKeith Emerson, Greg Lake | Emerson, Lake & Palmer | Play | 05:10 | 11 MB | 30 MB |
| 6 | Changing StatesKeith Emerson | Emerson, Lake & Palmer | Play | 06:02 | 13 MB | 38 MB |
| 7 | Burning BridgesMark Mancina | Emerson, Lake & Palmer | Play | 04:45 | 10 MB | 29 MB |
| 8 | Close to HomeKeith Emerson | Emerson, Lake & Palmer | Play | 04:29 | 10 MB | 15 MB |
| 9 | Better DaysKeith Emerson, Greg Lake | Emerson, Lake & Palmer | Play | 05:36 | 12 MB | 34 MB |
| 10 | Footprints in the SnowGreg Lake | Emerson, Lake & Palmer | Play | 03:52 | 8 MB | 20 MB |
| 48 mins | 111 MB | |||||
| 48 mins | 287 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Willie Alexander | Keyboards, Keyboard Technician |
| 2 | Anthony Danbury | Assistant Engineer |
| 3 | Geoffrey Downes | Composer |
| 4 | Keith Emerson | Composer, Multi Instruments, Organ, Piano |
| 5 | Emerson, Lake & Palmer | Primary Artist |
| 6 | Tim Heintz | Programming, Timbales |
| 7 | Gary Hodgson | Programming |
| 8 | Mark Holding | Vocal Arrangement, Vocals (Background) |
| 9 | Steve Kempster | Engineer, Mixing |
| 10 | Greg Lake | Composer, Guitar |
| 11 | Mark Mancina | Composer, Producer |
| 12 | Stephen Marcussen | Engineer, Mastering |
| 13 | David Mitchell | Engineer, Mixing |
| 14 | Gil Morales | Assistant Engineer |
| 15 | Ian Morrow | Producer, Programming |
| 16 | Carl Palmer | Composer, Drums, Percussion |
| 17 | Sergey Prokofiev | Composer |
| 18 | Jay Rifkin | Digital Editing, Editing |
| 19 | Marnie Riley | Assistant Engineer |
| 20 | Brett Swain | Assistant Engineer |
| 21 | John Van Tongeren | Producer, Programming |
| 22 | Charlie Watts | Assistant Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |