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Former Blackmore keyboardist/singer Tony Carey takes a more direct, pop-oriented approach on his follow-up to the successful 1984 release SOME TOUGH CITY.
Loaded with heartrending rock ballads, BLUE HIGHWAY shows a more vulnerable, yet still highly creative Carey.
The album almost sounds like the blueprint that will later lead Boston’s favorite sons Aerosmith to worldwide success.
At times, Carey’s voice even bears resemblance to Steve Tyler’s bluesy cackle.
Contributing to the über-sensitive sound, BLUE HIGHWAY is produced by Peter Hauke (White Lion, Nektar) and mastered by Greg Fulginiti (Aerosmith, Oingo Boingo, Whitesnake).
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | We Wanna LiveTony Carey | Tony Carey | Play | 04:19 | 9 MB | 29 MB |
| 2 | She Moves Like a DancerTony Carey | Tony Carey | Play | 04:02 | 9 MB | 27 MB |
| 3 | Live WireTony Carey, Jennifer Rush | Tony Carey | Play | 04:44 | 10 MB | 28 MB |
| 4 | 10,000 TimesTony Carey | Tony Carey | Play | 04:07 | 9 MB | 26 MB |
| 5 | Tear Down the WallsTony Carey | Tony Carey | Play | 03:49 | 8 MB | 23 MB |
| 6 | Blue HighwayTony Carey | Tony Carey | Play | 04:35 | 10 MB | 23 MB |
| 7 | Love Don't Bother MeTony Carey | Tony Carey | Play | 03:58 | 9 MB | 25 MB |
| 8 | Katy Be MineTony Carey | Tony Carey | Play | 04:17 | 9 MB | 27 MB |
| 9 | Like a RockTony Carey | Tony Carey | Play | 04:10 | 9 MB | 26 MB |
| 10 | Out of Town WomanTony Carey | Tony Carey | Play | 03:45 | 8 MB | 21 MB |
| 41 mins | 95 MB | |||||
| 41 mins | 260 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Jeff Adamoff | Art Direction |
| 2 | Mark Aubin | Arranger, Main Personnel, Vocal Arrangement, Vocals, Vocals (Background) |
| 3 | Volker Barber | Main Personnel, Sound Effects, Synthesizer |
| 4 | Jimmy Barnes | Main Personnel, Vocals, Vocals (Background) |
| 5 | Andreas Becker | Guitar |
| 6 | Andy Becker | Guitar, Main Personnel |
| 7 | Tony Carey | Bass, Bass Instrument, Composer, Guitar, Guitar (Bass), Keyboards, Primary Artist, Vocals |
| 8 | Carl Carlton | Guitar, Main Personnel |
| 9 | Mathias Dietrich | Engineer |
| 10 | Spencer Drate | Art Direction, Design |
| 11 | John W. Edwards | Layout Design |
| 12 | Bertram Engel | Drums |
| 13 | Greg Fulginiti | Mastering |
| 14 | Peter Hauke | Audio Production, Producer |
| 15 | Nigel Jopson | Audio Engineer, Engineer, Mixing |
| 16 | Andy Lunn | Engineer, Mixing |
| 17 | Jennifer Rush | Composer |
| 18 | Judith Salavetz | Art Direction, Design |
| 19 | Richard Sanders | Management |
| 20 | Geoffrey Hargrave Thomas | Cover Photo, Photography, Photo Tinting |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |