With mid-'60s gems like Violets of Dawn, Thirsty Boots, and Close the Door Lightly, Eric Andersen became the archetypal, literate romantic before the likes of James Taylor and Jackson Browne had even cut their first records, but at the same time seemed to lack direction from album to album.
With his eighth album, Blue River, recorded in Nashville in 1972, he found the perfect setting for his gentle, poetic songs.
After nearly seven years of dabbling in folk, folk-rock, pop, and country, Andersen found a smart, sympathetic ear in producer Norbert Putnam.
Putnam, whose production here is rarely extraneous, utilizes subtle touches of bass, drums, accordion, and organ along with Andersen's own guitar, piano, and harmonica to frame the material.
The record, Andersen's first effort for Columbia, also featured his best collection of tunes to date.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Is It Really Love at AllEric Andersen | Eric Andersen | Play | 05:20 | 12 MB | 0 MB |
2 | Pearl's Goodtime BluesEric Andersen | Eric Andersen | Play | 02:21 | 5 MB | 0 MB |
3 | Wind and SandEric Andersen | Eric Andersen | Play | 04:28 | 10 MB | 0 MB |
4 | FaithfulEric Andersen | Eric Andersen | Play | 03:15 | 7 MB | 0 MB |
5 | Blue RiverEric Andersen | Eric Andersen | Play | 04:44 | 10 MB | 0 MB |
6 | FlorentineEric Andersen | Eric Andersen | Play | 03:30 | 8 MB | 0 MB |
7 | SheilaEric Andersen | Eric Andersen | Play | 04:36 | 10 MB | 0 MB |
8 | More Often Than NotDavid Wiffen | Eric Andersen | Play | 04:51 | 11 MB | 0 MB |
9 | Round the BendEric Andersen | Eric Andersen | Play | 05:40 | 12 MB | 0 MB |
10 | Come to My Bedside, My Darlin' | Eric Andersen | Play | 04:58 | 11 MB | 0 MB |
11 | Why Don't You Love Me | Eric Andersen | Play | 02:44 | 6 MB | 0 MB |
46 mins | 106 MB | |||||
0 mins | 0 MB |
Artist | Job | |
---|---|---|
1 | Deborah Green Andersen | Piano, Vocals (Background) |
2 | Eric Andersen | Composer, Guitar, Guitar (Acoustic), Harmonica, Performer, Piano, Primary Artist, Vocals, Vocals (Background) |
3 | Deborah Anderson | Piano, Vocals (Background) |
4 | Chris Athens | Digital Mastering |
5 | John Berg | Design |
6 | David Briggs | Celeste, Keyboards, Organ |
7 | David Bromberg | Dobro, Guest Artist, Guitar |
8 | Kenny Buttrey | Drums, Percussion, Tambourine |
9 | Jerry Carrigan | Percussion |
10 | Anthony DeCurtis | Liner Notes |
11 | Bruce Dickinson | Reissue Producer |
12 | Debbie Greene | Guitar, Piano |
13 | Eddie Hinton | Guitar, Guitar (Electric) |
14 | The Holidays | Vocals (Background) |
15 | Stan Hutto | Engineer |
16 | Andy Johnson | Guitar, Guitar (Electric), Vibraphone, Vocals (Background) |
17 | The Jordanaires | Guest Artist, Vocals, Vocals (Background) |
18 | Kevin Kelly | Accordion |
19 | Millie Kirkham | Vocals, Vocals (Background) |
20 | Glen Kolotkin | Engineer |
21 | Urve Kuusik | Photography |
22 | Grady Martin | Guitar, Gut String Guitar |
23 | Jim McKevitt | Drums |
24 | Joni Mitchell | Guest Artist, Vocals, Vocals (Background) |
25 | Sonja Montgomery | Vocals (Background) |
26 | Laverna Moore | Vocals, Vocals (Background) |
27 | Farrell Morris | Vibraphone, Vocals (Background) |
28 | Weldon Myrick | Guitar (Steel) |
29 | Don Nelson | Photography |
30 | Norbert Putnam | Bass, Producer |
31 | Temple Riser | Vocals, Vocals (Background) |
32 | Richard Schlosser | Drums |
33 | Rick Shlosser | Drums |
34 | Jessica Sowin | Production Manager |
35 | Sandy Speiser | Photography |
36 | Mark Spoor | Bass |
37 | Mark Sporer | Bass |
38 | Glen Spreen | Arranger, Harpsichord, Keyboards, Organ, String Arrangements, Woodwind |
39 | Stanley Tonkel | Engineer |
40 | Florence Warner | Guest Artist, Vocals, Vocals (Background) |
41 | David Wiffen | Composer |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |