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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Cold Day in HellGary Moore | Gary Moore | Play | 05:35 | 12 MB | 36 MB |
| 2 | Walking by MyselfSimon Kirke, James A. Lane, Jimmy Rogers | Gary Moore | Play | 05:00 | 11 MB | 34 MB |
| 3 | Story of the BluesGary Moore | Gary Moore | Play | 07:32 | 17 MB | 46 MB |
| 4 | Oh, Pretty WomanA.C. Williams | Gary Moore | Play | 04:25 | 10 MB | 30 MB |
| 5 | Separate WaysGary Moore | Gary Moore | Play | 05:49 | 13 MB | 34 MB |
| 6 | Too TiredMaxwell Davis, Johnny "Guitar" Watson | Gary Moore | Play | 04:34 | 10 MB | 27 MB |
| 7 | Still Got the BluesGary Moore | Gary Moore | Play | 06:44 | 15 MB | 41 MB |
| 8 | Since I Met You BabyGary Moore | Gary Moore | Play | 03:02 | 6 MB | 19 MB |
| 9 | The Sky Is CryingElmore James, Clarence Lewis, Morgan Robinson | Gary Moore | Play | 08:50 | 20 MB | 53 MB |
| 10 | Further on up the RoadJoe Medwick, Don Robey | Gary Moore | Play | 05:34 | 12 MB | 35 MB |
| 11 | King of the BluesGary Moore | Gary Moore | Play | 06:13 | 14 MB | 43 MB |
| 12 | Parisienne WalkwaysPhil Lynott, Gary Moore | Gary Moore | Play | 07:03 | 16 MB | 41 MB |
| 13 | Jumpin' at ShadowsDuster Bennett | Gary Moore | Play | 05:52 | 13 MB | 32 MB |
| 76 mins | 174 MB | |||||
| 76 mins | 476 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Andy Baker | Mixing Assistant |
| 2 | Duster Bennett | Composer |
| 3 | Chris Blair | Mastering |
| 4 | Albert Collins | Guitar, Vocals |
| 5 | Maxwell Davis | Composer |
| 6 | Martin Drover | Trumpet |
| 7 | Tommy Evre | Keyboards |
| 8 | Tommy Eyre | Keyboards |
| 9 | Elmore James | Composer |
| 10 | Simon Kirke | Composer |
| 11 | James A. Lane | Composer |
| 12 | Clarence Lewis | Composer |
| 13 | Phil Lynott | Composer |
| 14 | Candy Mackenzie | Vocals (Background) |
| 15 | Frank Mead | Harmonica, Mandolin, Sax (Alto) |
| 16 | Joe Medwick | Composer |
| 17 | Gary Moore | Composer, Mixing, Primary Artist, Producer |
| 18 | Rod O'Brien | Engineer |
| 19 | Nick Payn | Sax (Baritone) |
| 20 | Nick Pentalow | Sax (Tenor) |
| 21 | Nick Pentelow | Sax (Tenor) |
| 22 | Dave Porter | Assistant Engineer |
| 23 | Andy Pyle | Bass |
| 24 | Andy Pylr | Bass |
| 25 | Juliet Roberts | Vocals (Background) |
| 26 | Don Robey | Composer |
| 27 | Morgan Robinson | Composer |
| 28 | Jimmy Rogers | Composer |
| 29 | Will Shapland | Assistant Engineer |
| 30 | Ian Taylor | Engineer, Mixing |
| 31 | Carol Thompson | Vocals (Background) |
| 32 | Graham Walker | Drums |
| 33 | Johnny "Guitar" Watson | Composer |
| 34 | A.C. Williams | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |