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Gary Moore's tribute to Fleetwood Mac guitarist Peter Green, Blues for Greeny, is more of a showcase for Moore's skills than Green's songwriting.
After all, Green was more famous for his technique than his writing.
Consequently, Moore uses Green's songs as a starting point, taking them into new territory with his own style.
And Moore positively burns throughout Blues for Greeny, tearing off licks with ferocious intensity.
If anything, the album proves that Moore is at his best when interpreting other people's material -- it easily ranks as one of his finest albums.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | If You Be My BabyClifford Adams, Peter Green | Gary Moore | Play | 06:39 | 0 MB | 45 MB |
| 2 | Long Grey MarePeter Green | Gary Moore | Play | 02:06 | 0 MB | 13 MB |
| 3 | I Loved Another WomanPeter Green, P. A. Greenbaum | Gary Moore | Play | 03:07 | 0 MB | 14 MB |
| 4 | Need Your Love So BadLittle Willie John | Gary Moore | Play | 07:55 | 0 MB | 41 MB |
| 5 | Driftin'P. A. Greenbaum, Peter Greenbaum | Gary Moore | Play | 08:30 | 0 MB | 53 MB |
| 6 | Showbiz BluesPeter Green | Gary Moore | Play | 04:08 | 0 MB | 19 MB |
| 7 | Love That BurnsClifford Adams, Peter Green | Gary Moore | Play | 06:29 | 0 MB | 31 MB |
| 8 | Looking for SomebodyPeter Green | Gary Moore | Play | 07:12 | 0 MB | 42 MB |
| 9 | Merry Go Round | Gary Moore | Play | 04:15 | 0 MB | 24 MB |
| 10 | Same Way | Gary Moore | Play | 02:36 | 0 MB | 15 MB |
| 11 | Supernatural | Gary Moore | Play | 03:01 | 0 MB | 16 MB |
| 0 mins | 0 MB | |||||
| 56 mins | 318 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Clifford Adams | Composer |
| 2 | John Almond | Arranger |
| 3 | Mickey Baker | Arranger |
| 4 | Haydn Bendall | Engineer |
| 5 | Tommy Eyre | Keyboards |
| 6 | Peter Green | Composer |
| 7 | Peter Greenbaum | Composer |
| 8 | Steve Gregory | Arranger |
| 9 | Dave Howard | Arranger |
| 10 | Little Willie John | Composer |
| 11 | Gary Moore | Guitar, Liner Notes, Primary Artist, Producer, Vocals |
| 12 | P. A. Greenbaum | Composer |
| 13 | Nick Payn | Sax (Baritone) |
| 14 | Nick Pentelow | Sax (Tenor) |
| 15 | Andy Pyle | Guitar (Bass) |
| 16 | Ian Taylor | Engineer, Producer |
| 17 | Roland Vaughan | Arranger |
| 18 | Graham Walker | Drums |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |