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After Struck By Lightning, Graham Parker was dropped by RCA Records.
He moved to Capitol in 1992, releasing another installment in his musical diaries called Burning Questions.
A more open and polished affair than the previous record, Burning Questions concentrates on broader issues than Struck By Lightning, yet the scope is similarly scaled-back.
And it's clear from "Long Stem Rose," "Oasis," and "Mr.
Tender" that his heart is with his home, not with the sputtering rage of "Here It Comes Again" and "Short Memories.".
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Release MeGraham Parker | Graham Parker | Play | 03:56 | 9 MB | 24 MB |
| 2 | Too Many Knots to UntangleGraham Parker | Graham Parker | Play | 03:10 | 7 MB | 19 MB |
| 3 | Just Like Joe Meek's BluesGraham Parker | Graham Parker | Play | 04:10 | 9 MB | 26 MB |
| 4 | Love Is a Burning QuestionGraham Parker | Graham Parker | Play | 04:53 | 11 MB | 31 MB |
| 5 | Platinum BlondeGraham Parker | Graham Parker | Play | 04:21 | 9 MB | 27 MB |
| 6 | Long Stem RoseGraham Parker | Graham Parker | Play | 02:50 | 6 MB | 13 MB |
| 7 | Short MemoriesGraham Parker | Graham Parker | Play | 03:03 | 7 MB | 19 MB |
| 8 | Here It Comes AgainGraham Parker | Graham Parker | Play | 03:12 | 7 MB | 19 MB |
| 9 | Mr. TenderGraham Parker | Graham Parker | Play | 02:30 | 5 MB | 14 MB |
| 10 | Yesterday's CloudGraham Parker | Graham Parker | Play | 03:24 | 7 MB | 22 MB |
| 11 | OasisGraham Parker | Graham Parker | Play | 04:07 | 9 MB | 23 MB |
| 12 | Worthy of Your LoveGraham Parker | Graham Parker | Play | 02:56 | 6 MB | 17 MB |
| 13 | Just Like Hermann Hesse | Graham Parker | Play | 02:52 | 6 MB | 15 MB |
| 14 | Substitute | Graham Parker | Play | 03:10 | 7 MB | 18 MB |
| 48 mins | 111 MB | |||||
| 48 mins | 296 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | P.P. Arnold | Vocals (Background) |
| 2 | Chris Bandy | Assistant Engineer |
| 3 | Caroline Barnes | Cello, Violin |
| 4 | Andrew Bodnar | Bass |
| 5 | Giles Cowley | Assistant Engineer |
| 6 | Baird Hersey | Arranger, String Arrangements |
| 7 | John Jacob | Engineer |
| 8 | Jon Jacobs | Engineer, Producer |
| 9 | Caroline LaVelle | Cello |
| 10 | Ed Manion | Saxophone |
| 11 | Graham Parker | Composer, Guitar, Harmonica, Miox, Primary Artist, Producer, Vocals, Vocals (Background) |
| 12 | Jocelyn Pook | Viola |
| 13 | Ren & Stimpy | Percussion |
| 14 | Steve Rooke | Mastering |
| 15 | Sonia Slany | Violin |
| 16 | Laurence Stevens | Design |
| 17 | Mick Talbot | Keyboards |
| 18 | Pete Thomas | Drums, Percussion |
| 19 | John Yates | Mixing Assistant |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |