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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | It Can Only Get Better | Charice | Play | 03:25 | 7 MB | 0 MB |
| 2 | I Will Always Love YouDolly Parton | Charice | Play | 04:21 | 9 MB | 0 MB |
| 3 | Born to Love You Forever | Charice | Play | 03:45 | 8 MB | 0 MB |
| 4 | I Have NothingLinda Thompson-Jenner | Charice | Play | 04:56 | 11 MB | 0 MB |
| 5 | MamaRyan Cayabyab | Charice | Play | 04:09 | 9 MB | 0 MB |
| 6 | It Can Only Get Better | Charice, Minus One | Play | 03:25 | 7 MB | 0 MB |
| 7 | I Will Always Love YouDolly Parton | Charice, Minus One | Play | 04:21 | 9 MB | 0 MB |
| 8 | Born to Love You Forever | Charice, Minus One | Play | 03:45 | 8 MB | 0 MB |
| 9 | I Have NothingLinda Thompson-Jenner | Charice, Minus One | Play | 04:56 | 11 MB | 0 MB |
| 10 | MamaRyan Cayabyab | Charice, Minus One | Play | 04:09 | 9 MB | 0 MB |
| 11 | And I'm Telling You (I'm Not Going) | Charice | Play | 04:01 | 9 MB | 0 MB |
| 45 mins | 103 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Arnold Buena | Arranger |
| 2 | Ryan Cayabyab | Composer |
| 3 | Charice | Primary Artist, Vocals (Background) |
| 4 | Tom Eyen | Composer |
| 5 | Arnold Jallores | Arranger, Engineer, Guitar, Mastering, Mixing |
| 6 | Henry Krieger | Composer |
| 7 | Jonathan Manalo | Engineer, Mastering, Mixing, Producer |
| 8 | Minus One | Primary Artist |
| 9 | Dolly Parton | Composer |
| 10 | Monina Quejano | A&R |
| 11 | Ronnie Salvacion | Photography |
| 12 | Nixon Sy | Marketing |
| 13 | Linda Thompson-Jenner | Composer |
| 14 | Paulo Zarate | Arranger |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |