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James Taylor bounced back from the spotty Flag with this all-original album led by his collaboration with J.D.
Souther on "Her Town Too," his biggest pop hit since "Handy Man," and his biggest non-cover hit since his first, "Fire and Rain," in 1970.
Also included were "Hard Times" and "Summer's Here," not to mention the unusually impassioned "Stand and Fight." After simmering this long, there wasn't much hope Taylor would ever come to a boil, but that track indicated he could at least heat up now and then.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Hard TimesJames Taylor | James Taylor | Play | 03:11 | 7 MB | 0 MB |
| 2 | Hour That the Morning ComesJames Taylor | James Taylor | Play | 02:55 | 6 MB | 0 MB |
| 3 | I Will FollowJames Taylor | James Taylor | Play | 04:17 | 9 MB | 0 MB |
| 4 | Believe It or NotJames Taylor | James Taylor | Play | 03:49 | 8 MB | 0 MB |
| 5 | Stand and FightJacob Brackman, James Taylor | James Taylor | Play | 03:10 | 7 MB | 0 MB |
| 6 | Only for MeJames Taylor | James Taylor | Play | 04:54 | 11 MB | 0 MB |
| 7 | Summer's HereJames Taylor | James Taylor | Play | 02:42 | 6 MB | 0 MB |
| 8 | Sugar TradeJimmy Buffett, Timothy Mayer, Timothy S. Mayer, James Taylor | James Taylor | Play | 02:48 | 6 MB | 0 MB |
| 9 | London TownJames Taylor | James Taylor | Play | 03:53 | 8 MB | 0 MB |
| 10 | That Lonesome RoadDon Grolnick, James Taylor | James Taylor | Play | 02:21 | 5 MB | 0 MB |
| 34 mins | 78 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Peter Asher | Audio Production, Choir/Chorus, Percussion, Producer, Shaker, Vocals |
| 2 | Niko Bolas | Assistant, Assistant Engineer |
| 3 | Jacob Brackman | Composer |
| 4 | Jimmy Buffett | Composer, Songwriter |
| 5 | Bill Cuomo | Synthesizer |
| 6 | Dan Dugmore | Guest Artist, Guitar (Electric), Pedal Steel |
| 7 | Val Garay | Audio Engineer, Engineer |
| 8 | Jim Gilstrap | Choir/Chorus, Vocals (Background) |
| 9 | Don Grolnick | Composer, Fender Rhodes, Keyboards, Multi Instruments, Organ, Piano, Synthesizer |
| 10 | Laura Grover | Product Manager |
| 11 | Benard Ighner | Choir/Chorus, Vocals (Background) |
| 12 | Edd Kolakowski | Keyboard Technician |
| 13 | Kosh | Art Direction, Design |
| 14 | David Lasley | Choir/Chorus, Guest Artist, Vocals (Background) |
| 15 | Rick Marotta | Congas, Drums, Guest Artist, Multi Instruments, Percussion, Timbales |
| 16 | Timothy Mayer | Composer |
| 17 | Timothy S. Mayer | Composer |
| 18 | Arnold McCuller | Choir/Chorus, Vocals (Background) |
| 19 | Gene Page | Conductor, String Arrangements |
| 20 | Aaron Rapoport | Photography |
| 21 | Doug Sax | Digital Remastering |
| 22 | Leland Sklar | Bass |
| 23 | J.D. Souther | Composer, Guest Artist, Songwriter, Vocals |
| 24 | Fingers Taylor | Harmonica |
| 25 | Greg "Fingers" Taylor | Harmonica |
| 26 | James Taylor | Bass Harmonica, Choir/Chorus, Composer, Guitar, Guitar (Acoustic), Harmonica, Primary Artist, Vocals |
| 27 | Waddy Wachtel | Composer, Guest Artist, Guitar, Guitar (Electric), Multi Instruments, Slide Guitar |
| 28 | Jennifer Warnes | Choir/Chorus, Guest Artist, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |