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Grammy-winning comeback set that brought Buddy Guy back to prominence after a long studio hiatus.
Too many clichéd cover choices -- "Five Long Years," "Mustang Sally," "Black Night," "There Is Something on Your Mind" -- to earn unreserved recommendation, but Guy's frenetic guitar histrionics ably cut through the superstar-heavy proceedings (Eric Clapton, Jeff Beck, and Mark Knopfler all turn up) on the snarling title cut and a handful of others.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Damn Right, I've Got the BluesBuddy Guy | Buddy Guy | Play | 04:31 | 10 MB | 26 MB |
| 2 | Five Long YearsEddie Boyd, John Lee Hooker | Buddy Guy | Play | 08:26 | 19 MB | 45 MB |
| 3 | Mustang SallySir Mack Rice | Buddy Guy | Play | 04:43 | 10 MB | 28 MB |
| 4 | There Is Something on Your MindBig Jay McNeely | Buddy Guy | Play | 04:47 | 10 MB | 25 MB |
| 5 | Early in the MorningTraditional | Buddy Guy | Play | 03:11 | 7 MB | 20 MB |
| 6 | Too Broke to Spend the NightBuddy Guy | Buddy Guy | Play | 05:03 | 11 MB | 31 MB |
| 7 | Black NightJessie Mae Robinson | Buddy Guy | Play | 07:46 | 17 MB | 39 MB |
| 8 | Let Me Love You BabyWillie Dixon | Buddy Guy | Play | 03:58 | 9 MB | 24 MB |
| 9 | Where Is The Next One Coming From | Buddy Guy | Play | 04:37 | 10 MB | 27 MB |
| 47 mins | 108 MB | |||||
| 47 mins | 271 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Jeff Beck | Guest Artist, Guitar, Guitar (Electric) |
| 2 | Sarah Bedingham | Assistant Engineer |
| 3 | Eddie Boyd | Composer |
| 4 | Eric Clapton | Guest Artist, Guitar, Guitar (Electric) |
| 5 | Willie Dixon | Composer |
| 6 | Malcolm Duncan | Saxophone |
| 7 | Molly Duncan | Horn |
| 8 | Roger Forrester | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 9 | Sid Gauld | Horn, Trumpet |
| 10 | Buddy Guy | Composer, Guitar, Guitar (Electric), Primary Artist, Vocals |
| 11 | Dick "Rabbit" Hansen | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 12 | Richie Hayward | Drums |
| 13 | John Hiatt | Composer |
| 14 | John Lee Hooker | Composer |
| 15 | Neil Hubbard | Guitar |
| 16 | Wayne Jackson | Horn |
| 17 | Mike Kappus | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 18 | Carol Kenyon | Vocals (Background) |
| 19 | Katie Kissoon | Vocals (Background) |
| 20 | Mark Knopfler | Guest Artist, Guitar (Electric) |
| 21 | Andrew Lauder | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 22 | Lucy Launder | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 23 | Andrew Love | Horn |
| 24 | Big Jay McNeely | Composer |
| 25 | The Memphis Horns | Guest Artist, Horn |
| 26 | Tessa Niles | Vocals (Background) |
| 27 | Tom Nolan | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 28 | Tony Platt | Engineer |
| 29 | John Porter | Guitar, Producer |
| 30 | Diana Puplett | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 31 | Sir Mack Rice | Composer |
| 32 | Judith Riley | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 33 | Jessie Mae Robinson | Composer |
| 34 | Greg Rzab | Bass, Guitar (Bass) |
| 35 | Marty Salzman | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 36 | J. Neil Sidwell | Horn, Trombone |
| 37 | Rev. Dan Smith | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 38 | Herb Snitzer | Photography |
| 39 | Michael Tedesco | Fender Rhodes, Guitar, Marshall Amplifiers, Pearl Drums, Sterling Ball |
| 40 | Traditional | Composer |
| 41 | Mick Weaver | Organ, Piano, Piano (Electric) |
| 42 | Ben Wilson | Cover Design |
| 43 | Pete Wingfield | Piano |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |