Although it has a few good moments, Dancin' on Boulevard finds Alabama turning a fairly predictable and routine record that only catches fire on its singles.
The remainder of the album is pleasant, but unremarkable.
Although it has a few good moments, Dancin' on Boulevard finds Alabama turning a fairly predictable and routine record that only catches fire on its singles.
The remainder of the album is pleasant, but unremarkable.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Dancin', Shaggin' on the BoulevardGreg Fowler, Theodore Gentry, Randy Owen | Alabama | Play | 04:44 | 10 MB | 32 MB |
2 | Sad Lookin' MoonGreg Fowler, Theodore Gentry, Randy Owen | Alabama | Play | 03:33 | 8 MB | 25 MB |
3 | Anytime (I'm Your Man) | Alabama | Play | 03:53 | 8 MB | 24 MB |
4 | She's Got That Look in Her Eyes | Alabama | Play | 03:18 | 7 MB | 21 MB |
5 | My GirlSmokey Robinson, Ronald White | Alabama | Play | 03:08 | 7 MB | 19 MB |
6 | Of Course I'm AlrightBilly Kirsch | Alabama | Play | 03:45 | 8 MB | 21 MB |
7 | I Just Couldn't Say No | Alabama | Play | 04:36 | 10 MB | 28 MB |
8 | Is the Magic Still There | Alabama | Play | 03:15 | 7 MB | 21 MB |
9 | Calling All AngelsJeff Jones | Alabama | Play | 04:38 | 10 MB | 29 MB |
10 | Hey Baby | Alabama | Play | 03:07 | 7 MB | 20 MB |
11 | One More Time Around | Alabama | Play | 04:15 | 9 MB | 27 MB |
42 mins | 96 MB | |||||
42 mins | 273 MB |
Artist | Job | |
---|---|---|
1 | David Agell | Violin |
2 | Alabama | Primary Artist, Producer |
3 | Mike Bradley | Engineer, Mixing |
4 | Bill Brunt | Design |
5 | Dennis Burnside | Conductor, Horn Arrangements, String Arrangements |
6 | Mark Capps | Assistant Engineer, Engineer, Mixing Assistant |
7 | Mark Casstevens | Guitar (Acoustic) |
8 | John Catchings | Cello |
9 | Bruce Channel | Vocals (Background) |
10 | Don Cook | Producer |
11 | Jeff Cook | Guitar (Electric), Vocals, Vocals (Background) |
12 | David Davidson | Violin |
13 | Jon "JD" Dickson | Mixing Assistant |
14 | Susan Eaddy | Art Direction |
15 | Connie Ellisor | Violin |
16 | Greg Fowler | Composer |
17 | Theodore Gentry | Bass, Composer, Vocals, Vocals (Background) |
18 | Gina Giglio | Make-Up |
19 | Dennis Good | Trombone |
20 | Carl Gorodetzky | Violin |
21 | Jim Grosjean | Viola |
22 | David Haskell | Photography |
23 | Mike Haynes | Trumpet |
24 | Don Jackson | Sax (Baritone) |
25 | John Barlow Jarvis | Bass, Keyboards, Organ (Hammond), Piano, Wurlitzer |
26 | Scott Johnson | Assistant Producer |
27 | Jeff Jones | Composer |
28 | Billy Kirsch | Composer |
29 | Lee Larrison | Violin |
30 | Bob Mason | Cello |
31 | Chris McDonald | Tenor (Vocal) |
32 | Terry McMillan | Guest Artist, Harmonica |
33 | Blake Morgan | Design |
34 | Peter Nash | Photography |
35 | Steve Nathan | Keyboards, Organ (Hammond), Piano |
36 | Randy Owen | Composer, Vocals, Vocals (Background) |
37 | Larry Paxton | Bass |
38 | Bart Pursley | Assistant Engineer |
39 | Smokey Robinson | Composer |
40 | Brent Rowan | Guitar (12 String), Guitar (Electric), Mandolin, Slide Guitar |
41 | Pamela Sixfin | Violin |
42 | Denis Solee | Sax (Tenor) |
43 | Jack Thompson | Photography |
44 | George Tidwell | Trumpet |
45 | Alan Umstead | Violin |
46 | Catherine Umstead | Violin |
47 | Gary VanOsdale | Viola |
48 | Ronald White | Composer |
49 | Kristin Wilkinson | Viola |
50 | Hank Williams | Mastering |
51 | Lonnie Wilson | Drums, Percussion |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |