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If On the Corner suggested hip-hop beats as far back as two decades ago, then consider Doo-Bop as offspring.
Miles' teaming with producer Easy Mo Bee is a natural -- more in league with England's acid jazz scene than anything in the trumpeter's recent canon.
Those who've howled over the post-Bitches Brew work will find no solace here; instead, chalk this up as one of Miles' most entertaining efforts.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | MysteryEasy Mo Bee, Miles Davis | Miles Davis | Play | 03:56 | 9 MB | 0 MB |
| 2 | Chocolate ChipEasy Mo Bee, Miles Davis, Donald Hepburn | Miles Davis | Play | 04:41 | 10 MB | 0 MB |
| 3 | High Speed ChaseEasy Mo Bee, Miles Davis, Larry Mizell | Miles Davis | Play | 04:40 | 10 MB | 0 MB |
| 4 | BlowEasy Mo Bee, Miles Davis | Miles Davis, Easy Mo Bee | Play | 05:07 | 11 MB | 0 MB |
| 5 | SonyaEasy Mo Bee, Miles Davis | Miles Davis | Play | 05:32 | 12 MB | 0 MB |
| 6 | FantasyEasy Mo Bee, Miles Davis | Miles Davis, Easy Mo Bee | Play | 04:38 | 10 MB | 0 MB |
| 7 | Duke BootyEasy Mo Bee, Miles Davis | Miles Davis | Play | 04:56 | 11 MB | 0 MB |
| 8 | Mystery (Reprise)Easy Mo Bee, Miles Davis | Miles Davis | Play | 01:26 | 3 MB | 0 MB |
| 9 | The Doo-Bop Song | Miles Davis | Play | 05:02 | 11 MB | 0 MB |
| 40 mins | 91 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Michael Benabib | Photography |
| 2 | Daniel Beroff | Engineer |
| 3 | Miles Davis | Composer, Primary Artist, Trumpet |
| 4 | Reginald Dozier | Engineer |
| 5 | Easy Mo Bee | Composer, Guest Artist, Performer, Primary Artist, Producer |
| 6 | Zane Giles | Engineer |
| 7 | Randy Hall | Engineer |
| 8 | Donald Hepburn | Composer |
| 9 | J.R. | Performer, Primary Artist |
| 10 | Ted Jensen | Mastering |
| 11 | D'Anthony Johnson | Engineer, Mixing |
| 12 | Eric Lynch | Engineer, Mixing |
| 13 | Robin Lynch | Art Direction |
| 14 | John McGlain | Engineer |
| 15 | Gordon Meltzer | Associate Producer, Executive Producer |
| 16 | Larry Mizell | Composer |
| 17 | Bruce Moore | Engineer |
| 18 | Matt Pierson | Associate Producer |
| 19 | Arthur Steuer | Engineer |
| 20 | Kirk Yano | Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |