Sale!
Although he works in many styles, composer Danny Elfman is always able to evoke a certain kind of magic in his film scores.
This quality really shines with the score for a film like Epic, a computer animated fantasy tale about the miniature guardians who protect the forest and the creatures within it.
Like many of Elfman's scores, this one is able to shine on its own, making it the perfect thing for anyone looking to add a sense of adventure to running errands or any other mundane task.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | LeafmenDanny Elfman | Danny Elfman | Play | 01:17 | 3 MB | 8 MB |
| 2 | PursuitDanny Elfman | Danny Elfman | Play | 02:40 | 6 MB | 16 MB |
| 3 | Tara's ChamberDanny Elfman | Danny Elfman | Play | 03:03 | 7 MB | 13 MB |
| 4 | Meet DadDanny Elfman | Danny Elfman | Play | 00:34 | 1 MB | 2 MB |
| 5 | Moonhaven ParadeDanny Elfman | Danny Elfman | Play | 01:27 | 3 MB | 8 MB |
| 6 | AlarmsDanny Elfman | Danny Elfman | Play | 00:41 | 1 MB | 3 MB |
| 7 | The SelectionDanny Elfman | Danny Elfman | Play | 02:13 | 5 MB | 11 MB |
| 8 | AmbushDanny Elfman | Danny Elfman | Play | 04:17 | 9 MB | 26 MB |
| 9 | Tara's GiftDanny Elfman | Danny Elfman | Play | 02:05 | 4 MB | 9 MB |
| 10 | SmallDanny Elfman | Danny Elfman | Play | 02:29 | 5 MB | 14 MB |
| 11 | Girl Meets BoyDanny Elfman | Danny Elfman | Play | 03:24 | 7 MB | 17 MB |
| 12 | Rings of KnowledgeDanny Elfman | Danny Elfman | Play | 02:35 | 5 MB | 12 MB |
| 13 | AntlersDanny Elfman | Danny Elfman | Play | 02:10 | 5 MB | 11 MB |
| 14 | KidnappedDanny Elfman | Danny Elfman | Play | 00:54 | 2 MB | 5 MB |
| 15 | In the HouseDanny Elfman | Danny Elfman | Play | 03:39 | 8 MB | 18 MB |
| 16 | Many LeavesDanny Elfman | Danny Elfman | Play | 01:54 | 4 MB | 9 MB |
| 17 | EscapeDanny Elfman | Danny Elfman | Play | 04:45 | 10 MB | 29 MB |
| 18 | False StartDanny Elfman | Danny Elfman | Play | 03:07 | 7 MB | 17 MB |
| 19 | Epic Final ConfrontationDanny Elfman | Danny Elfman | Play | 03:19 | 7 MB | 19 MB |
| 20 | ReturnDanny Elfman | Danny Elfman | Play | 04:18 | 9 MB | 23 MB |
| 21 | Epic FinaleDanny Elfman | Danny Elfman | Play | 01:34 | 3 MB | 10 MB |
| 52 mins | 121 MB | |||||
| 52 mins | 291 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Bill Abbott | Music Editor |
| 2 | Mark Adams | French Horn |
| 3 | Eun Mee Ahn | Violin |
| 4 | Richard Altenbach | Violin |
| 5 | Pete Anthony | Conductor |
| 6 | Phil Ayling | Oboe |
| 7 | Rick Baptist | Trumpet |
| 8 | Steve Bartek | Orchestration, Supervising Orchestrator |
| 9 | Peter Bateman | Orchestration, Programming |
| 10 | Steven Becknell | French Horn |
| 11 | Gary Bovyer | Clarinet |
| 12 | Jacqueline Brand | Violin |
| 13 | Laura Brenes | French Horn |
| 14 | Robert Brophy | Viola |
| 15 | Nathan Campbell | French Horn |
| 16 | Darius Campo | Violin |
| 17 | Roberto Cani | Violin |
| 18 | Jeff Carson | Music Editor |
| 19 | Tom Cavanaugh | Music Business Affairs |
| 20 | Mark Cavell | Licensing |
| 21 | Lily Ho Chen | Violin |
| 22 | Heather Clark | Flute, Woodwind |
| 23 | Stuart Clark | Clarinet, Woodwind |
| 24 | Giovanna Clayton | Cello |
| 25 | Paul Cohen | Cello |
| 26 | Antony Cooke | Cello |
| 27 | Rose Corrigan | Bassoon |
| 28 | Wade Culbreath | Percussion |
| 29 | Brian Dembow | Viola |
| 30 | Drew Dembowski | Bass |
| 31 | Joel Derouin | Violin |
| 32 | Marcia Dickstein | Harp |
| 33 | Danielle Diego | Executive in Charge of Music |
| 34 | Thomas Diener | Viola |
| 35 | George Doering | Guitar |
| 36 | Andrew Duckles | Viola |
| 37 | Erika Duke | Cello |
| 38 | Bruce Dukov | Concert Master, Violin |
| 39 | Danny Elfman | Composer, Primary Artist, Producer |
| 40 | Chris Ermacoff | Cello |
| 41 | Alan Estes | Percussion |
| 42 | Dave Everson | French Horn |
| 43 | Nina Evtuhov | Violin |
| 44 | Judith Farmer | Bassoon |
| 45 | Alma Fernandez | Viola |
| 46 | Richard Feves | Bass |
| 47 | Marlow Fisher | Viola |
| 48 | Daniel Fornero | Trumpet |
| 49 | Patricia Sullivan Fourstar | Mastering |
| 50 | Matthew Funes | Viola |
| 51 | Julie Gigante | Violin |
| 52 | Ellen Ginsburg | Music Clearance |
| 53 | Gregory Goodall | Percussion |
| 54 | M.B. Gordy | Percussion |
| 55 | Richard Grant | Auricle Programming |
| 56 | Keith Greene | Viola |
| 57 | Neel Hammond | Violin |
| 58 | Trevor Handy | Cello |
| 59 | Dylan Hart | French Horn |
| 60 | Tamara Hatwan | Violin |
| 61 | Greg Hayes | Mixing Assistant |
| 62 | Oscar Hidalgo | Bass |
| 63 | Dan Higgins | Woodwind |
| 64 | Steven Holtman | Trombone |
| 65 | Alex Iles | Trombone |
| 66 | Lisa Jaime | Music Editor |
| 67 | Alan Kaplan | Trombone |
| 68 | Melissa Karaban | Composer's Assistant |
| 69 | Dennis Karmazyn | Cello |
| 70 | Daniel Kelley | French Horn |
| 71 | Brian Kilgore | Percussion |
| 72 | Jenny Kim | French Horn |
| 73 | Katie Kirkpatrick | Harp |
| 74 | Christian Kollgaard | Bass |
| 75 | Armen Ksajikian | Cello |
| 76 | Steve Kujala | Flute |
| 77 | Ana Landauer | Violin |
| 78 | Tim Lauber | Scoring Recordist |
| 79 | Natalie Leggett | Violin |
| 80 | Phillip Levy | Violin |
| 81 | Jon Lewis | Trumpet |
| 82 | Peter Limonick | Timpani |
| 83 | T.J. Lindgren | Additional Music, Arranger, Piano |
| 84 | Tim Loco | Cello |
| 85 | Charles Loper | Trombone |
| 86 | Greg Maloney | Technical Engineer |
| 87 | Marc Mann | MIDI, MIDI Production |
| 88 | Shawn Mann | Viola |
| 89 | Chuck Martin | Music Editor |
| 90 | Luke Mauer | Viola |
| 91 | Darrin McCann | Viola |
| 92 | Kenneth McGrath | Percussion |
| 93 | Melisa McGregor | Production Coordination |
| 94 | Edward Meares | Bass |
| 95 | Rebecca Morellato | Music Production Supervisor |
| 96 | Bruce Morgenthaler | Bass |
| 97 | Paul Mounsey | Additional Music, Arranger |
| 98 | Kenneth Munday | Bassoon |
| 99 | Grace Oh | Violin |
| 100 | Adam Olmsted | Digital Recording, Scoring Recordist |
| 101 | Bobbi Page | Vocal Contractor |
| 102 | Sid Page | Violin |
| 103 | Alyssa Park | Violin |
| 104 | Sara Parkins | Violin |
| 105 | Barry Perkins | Trumpet |
| 106 | Carol Pool | Violin |
| 107 | Katia Popov | Violin |
| 108 | Leslie Reed | Oboe |
| 109 | William Frank "Bill" Reichenbach Jr. | Trombone |
| 110 | Emil Richards | Percussion |
| 111 | Lynne Richberg | Viola |
| 112 | Julie Rogers | Violin |
| 113 | Shie Rozow | Music Editor |
| 114 | Dennis Sands | Engineer, Mixing |
| 115 | Marc Sazer | Violin |
| 116 | Kim Scholes | Cello |
| 117 | Ellen Segal | Music Editor |
| 118 | Jim Self | Tuba |
| 119 | Edgardo Simone | Orchestration |
| 120 | Christine Sirious | Stage Crew |
| 121 | Rob Skinnell | Music Preparation |
| 122 | David Slonaker | Orchestration |
| 123 | Noah Snyder | Digital Recording, Engineer, Scoring Recordist |
| 124 | Tina Soule | Cello |
| 125 | Denis St. Amand | Engineer |
| 126 | Tereza Stanislav | Violin |
| 127 | Tom Steel | Stage Manager |
| 128 | Damon Tedesco | Stage Crew |
| 129 | Phillip Teele | Trombone |
| 130 | Sarah Thornblade | Violin |
| 131 | Doug Tornquist | Tuba |
| 132 | Cecilia Tsan | Cello |
| 133 | Isabelle Tulliez | Product Development |
| 134 | Louise di Tullio | Flute |
| 135 | Michael Valerio | Bass |
| 136 | Josefina Vergara | Violin |
| 137 | Irina Voloshina | Violin |
| 138 | Ian Walker | Bass |
| 139 | Roger Wilkie | Violin |
| 140 | Ralph Williams | Clarinet |
| 141 | Terry Wilson | Music Editor |
| 142 | Gina Zimmitti | Orchestra Contractor |
Danny Elfman
$3.99
2016 - 27 tracks
Alice Through the Looking Glass (Original Motion Picture Soundtrack) - Danny Elfman
$6.99
-
$9.99
$4.99
$3.99
$3.99
$3.99
-
$6.99
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |