On its major label debut, Every Six Seconds, Saliva gets a heavier sound and a way more polished production than the band's self-titled debut of four years earlier.
The Memphis outfit has a better way with a melodic hook than some of its peers, which is fortunate, since singer Josey Scott's more frequent forays into rap-metal can sound a little forced.
The production brings in a huge bottom sound absent from Saliva, as well as a few newfound electronic touches that hit upon the all-important Nine Inch Nails touchstone.
So, Every Six Seconds is a pretty well-crafted alternative metal album overall.
But, as with many other bands of its ilk, the elements that set Saliva apart from the rest of the alt-metal pack are really apparent only to the genre's hardcore faithful.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | SuperstarGlen Scott | Saliva | Play | 04:03 | 9 MB | 31 MB |
| 2 | Musta Been WrongGlen Scott, Wayne Swinny | Saliva | Play | 03:33 | 8 MB | 27 MB |
| 3 | Click Click BoomBob Marlette, Glen Scott, Wayne Swinny | Saliva | Play | 04:12 | 9 MB | 33 MB |
| 4 | Your DiseaseChris Debaldo, Saliva, Glen Scott, Josey Scott, Wayne Swinny | Saliva | Play | 03:57 | 9 MB | 31 MB |
| 5 | After MeGlen Scott | Saliva | Play | 03:52 | 8 MB | 29 MB |
| 6 | Greater Than/Less ThanBob Marlette, Glen Scott | Saliva | Play | 04:50 | 11 MB | 34 MB |
| 7 | LacklusterBob Marlette, Glen Scott | Saliva | Play | 05:12 | 11 MB | 39 MB |
| 8 | FaultlineGlen Scott | Saliva | Play | 03:49 | 8 MB | 27 MB |
| 9 | BegGlen Scott | Saliva | Play | 03:40 | 8 MB | 28 MB |
| 10 | HollywoodGlen Scott | Saliva | Play | 03:50 | 8 MB | 29 MB |
| 11 | DoperideGlen Scott, Wayne Swinny | Saliva | Play | 03:26 | 7 MB | 26 MB |
| 12 | My GoodbyesBob Marlette, Glen Scott | Saliva | Play | 06:30 | 14 MB | 44 MB |
| 51 mins | 116 MB | |||||
| 51 mins | 382 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Paul Crosby | Drums |
| 2 | Joseph Cultice | Photography |
| 3 | Chris Dabaldo | Guitar |
| 4 | Chris Debaldo | Composer |
| 5 | John Goodmanson | Mixing |
| 6 | George Marino | Mastering |
| 7 | Bob Marlette | Composer, Engineer, Mixing, Producer |
| 8 | Jason Noto | Art Direction, Design |
| 9 | Dave Novotny | Bass |
| 10 | Ron Saint Germain | Mixing |
| 11 | Saliva | Composer, Primary Artist |
| 12 | Glen Scott | Composer |
| 13 | Josey Scott | Composer, Vocals |
| 14 | Wayne Swinny | Banjo, Composer, Guitar, Lap Steel Guitar, Mandolin |
| 15 | Steve Thompson | Mixing |
| 16 | German Villacorta | Assistant Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |