Rarely does a remix album prove so redemptive.
Following the sonically linear Dawn Escapes, the quick release of Exit Lights less than a year later showed that the Albany, OR, sextet had life and creativity after all.
While their sophomore album focused on a message, the reworkings on Exit Lights focused on new sounds.
Never getting within the pop range of Creed, the band experimented with hip-hop and industrial grooves.
Formerly interchangeable tracks like the hits "Exit Calypsan" and "Cascades" found themselves not only more palatable but, more importantly, blog fodder for an expanded audience.
Their new direction would have been welcome to both fans and newcomers who finally saw their potential to ride the modern rock fads that had ebbed and flowed during the middle of the decade.
With a more diverse showing under their belts, Falling Up started silencing the naysayers.
Any fan of tightly produced, layered rock will enjoy these extended versions of nu metal hits.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Islander | Falling Up | Play | 05:53 | 13 MB | 0 MB |
| 2 | Exit Calypsan (Into the Ice Cave) | Falling Up | Play | 04:50 | 11 MB | 0 MB |
| 3 | Escalates (Aceramic) | Falling Up | Play | 03:05 | 7 MB | 0 MB |
| 4 | Broken Heart (Ghosts of Seaside) | Falling Up | Play | 06:08 | 14 MB | 0 MB |
| 5 | Moonlit (Neon Predator) | Falling Up, Solomon Olds | Play | 03:37 | 8 MB | 0 MB |
| 6 | Bittersweet (A Jedi Force) | Falling Up | Play | 04:04 | 9 MB | 0 MB |
| 7 | Searchlights (Indoor Soccer) | Falling Up | Play | 03:17 | 7 MB | 0 MB |
| 8 | Fearless (250 and Dark Stars)Trevor McNevan, Jessy Ribordy | Falling Up, Trevor McNevan, Troma | Play | 04:25 | 10 MB | 0 MB |
| 9 | Contact (Complexus) | Falling Up | Play | 06:06 | 13 MB | 0 MB |
| 10 | Exhibition (Epoison) | Falling Up, Rachael Lampa | Play | 03:36 | 8 MB | 0 MB |
| 11 | Cascades (From in the Forest Cascadia) | Falling Up | Play | 03:21 | 7 MB | 0 MB |
| 12 | Circlewinds | Falling Up | Play | 02:23 | 5 MB | 0 MB |
| 13 | Third Lake | Falling Up | Play | 02:48 | 6 MB | 0 MB |
| 53 mins | 122 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Cary Barlowe | Guitar, Guitars |
| 2 | Jeff Carver | A&R |
| 3 | Teresa Davis | Management |
| 4 | Jonathan Dunn | A&R |
| 5 | Brandon Ebel | Executive Producer |
| 6 | Falling Up | Primary Artist |
| 7 | Troy Glessner | Mastering |
| 8 | Jedi McKnight | Audio Engineer, Audio Production, Keyboards |
| 9 | Jeremy Miller | Guitar (Bass) |
| 10 | Jesse Ribordy | Drums |
| 11 | Joseph A. Kisselburgh | Audio Engineer, Guitars |
| 12 | Kelly Kerr | Photography |
| 13 | Rachael Lampa | Guest Artist, Primary Artist, Vocals |
| 14 | Darrell Lehman | Editing, Engineer |
| 15 | J.R. McNeely | Mixing |
| 16 | Trevor McNevan | Composer, Primary Artist, Vocals |
| 17 | Jeremy Miller | Bass, Group Member |
| 18 | Jamie Moore | Audio Engineer, Audio Production, Bass, Engineer, Guitar, Guitar (Bass), Producer |
| 19 | Tony Morra | Drums |
| 20 | Lynn Nichols | Drums, Editing, Engineer, Guitar |
| 21 | Solomon Olds | Guest Artist, Primary Artist, Producer, Programming, Vocals |
| 22 | Mike Payne | Guitar, Guitars |
| 23 | Jessy Ribordy | Bass, Composer, Group Member, Guitar, Keyboards, Producer, Programming |
| 24 | Rusty Vanderkamp | Audio Engineer |
| 25 | Micah Sannan | Group Member |
| 26 | David Schrott | Photography |
| 27 | Josh Shroy | Drums |
| 28 | Tedd T. | Audio Production, Bass, Drums, Editing, Engineer, Guitars, Keyboards, Mixing, Producer, Programming |
| 29 | Adam Taylor | Group Member |
| 30 | Randy Torres | Audio Engineer, Audio Production, Engineer, Producer |
| 31 | Troma | Additional Personnel, Primary Artist |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |