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Fanning the Flames is an erratic but impressive set from Tinsley Ellis.
While his basic sound is indebted to Stevie Ray Vaughan, the guitarist borrows from every other major blues artist.
Furthermore, he has a tendency to overplay his licks, giving the album a feeling of unfocused fury.
That sound can be overwhelming, though; his technique is impressive, even if he doesn't know when to reign it in.
As a consequence, Fanning the Flames may not be of interest to general listeners, but for guitar fans, there's plenty of music here to treasure.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Leaving HereLamont Dozier, Brian Holland, Eddie Holland | Tinsley Ellis | Play | 03:02 | 6 MB | 21 MB |
| 2 | PawnbrokerTinsley Ellis, Terry Simpson | Tinsley Ellis | Play | 03:27 | 7 MB | 22 MB |
| 3 | Loneliness Is Here to StayTinsley Ellis | Tinsley Ellis | Play | 03:33 | 8 MB | 22 MB |
| 4 | Put Me Where You Want MeTinsley Ellis | Tinsley Ellis | Play | 03:02 | 6 MB | 19 MB |
| 5 | Born in GeorgiaTinsley Ellis | Tinsley Ellis | Play | 04:23 | 10 MB | 26 MB |
| 6 | Fender BlenderTinsley Ellis | Tinsley Ellis | Play | 02:52 | 6 MB | 19 MB |
| 7 | Deaf, Dumb, Crippled and Blind | Tinsley Ellis | Play | 04:13 | 9 MB | 26 MB |
| 8 | So Many TearsTinsley Ellis, Margaret Sampson | Tinsley Ellis | Play | 04:32 | 10 MB | 25 MB |
| 9 | Must Be the DevilTinsley Ellis | Tinsley Ellis | Play | 04:23 | 10 MB | 28 MB |
| 10 | Dangling by a Thread | Tinsley Ellis | Play | 03:45 | 8 MB | 23 MB |
| 11 | Mr. Night TimeTinsley Ellis | Tinsley Ellis | Play | 03:25 | 7 MB | 23 MB |
| 40 mins | 93 MB | |||||
| 40 mins | 259 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Peter Amft | Design, Photography |
| 2 | Pat Buchanan | Vocals (Background) |
| 3 | Wayne Burdette | Bass |
| 4 | Tom Coyne | Mastering |
| 5 | Lamont Dozier | Composer |
| 6 | Tinsley Ellis | Composer, Guitar, Primary Artist, Vocals |
| 7 | Russ Fowler | Engineer, Mixing |
| 8 | Brian Holland | Composer |
| 9 | Eddie Holland | Composer |
| 10 | Ricky Keller | Bass, Keyboards, Producer |
| 11 | Guy Locke | Drums |
| 12 | Ralph Mattarochia | Keyboards |
| 13 | Brendan O'Brien | Engineer |
| 14 | Michael Rothschild | Executive Producer |
| 15 | Margaret Sampson | Composer |
| 16 | Yonrico Scott | Drums, Percussion |
| 17 | Terry Simpson | Composer, Vocals (Background) |
| 18 | Oliver Wells | Horn Arrangements, Organ, Piano, Trumpet |
| 19 | Stutz Wimmer | Saxophone |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |