Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Dark Warrior | Andrew Rayel | Play | 04:54 | 11 MB | 40 MB |
2 | Impulse | Andrew Rayel | Play | 05:02 | 11 MB | 40 MB |
3 | Hold On to Your Love | Andrew Rayel | Play | 04:37 | 10 MB | 35 MB |
4 | Miracles | Andrew Rayel | Play | 05:11 | 11 MB | 39 MB |
5 | Latifa | Andrew Rayel | Play | 05:26 | 12 MB | 38 MB |
6 | EIFORYA | Andrew Rayel | Play | 05:00 | 11 MB | 36 MB |
7 | Followed By Light | Andrew Rayel | Play | 04:37 | 10 MB | 33 MB |
8 | How Do I Know | Andrew Rayel | Play | 05:15 | 12 MB | 39 MB |
9 | Rise of the Era | Andrew Rayel | Play | 04:58 | 11 MB | 38 MB |
10 | Until the End | Andrew Rayel | Play | 05:00 | 11 MB | 38 MB |
11 | One In A Million | Andrew Rayel | Play | 04:07 | 9 MB | 30 MB |
12 | Fading Echoes | Andrew Rayel | Play | 04:00 | 9 MB | 26 MB |
13 | Sacramentum | Andrew Rayel | Play | 05:20 | 12 MB | 41 MB |
14 | Power of Elements | Andrew Rayel | Play | 05:45 | 13 MB | 41 MB |
15 | Goodbye | Andrew Rayel | Play | 04:44 | 10 MB | 36 MB |
16 | There Are No Words | Andrew Rayel | Play | 03:38 | 8 MB | 28 MB |
17 | Find Your Harmony (Intro) | Andrew Rayel | Play | 03:34 | 8 MB | 21 MB |
18 | The End At Pianoland (Outro) | Andrew Rayel | Play | 03:53 | 8 MB | 24 MB |
85 mins | 195 MB | |||||
85 mins | 629 MB |
Note: You are able to listen to 30-second samples for preview purpose.
Artist | Job | |
---|---|---|
1 | Andrew Rayel | Primary Artist |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |