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For Flick of the Switch, AC/DC jettisoned producer Mutt Lange in an attempt to recapture the rawness and simplicity of their early records.
While they more or less succeed in terms of the record's sound, and show more energy than on the preceding For Those About to Rock We Salute You, the songs themselves suffer -- AC/DC's music has always been simple, but here it sounds underdeveloped and unmemorable.
As perhaps indicated by the record's idiotic original title, the utterly generic I Like to Rock, AC/DC seemed to be running out of ideas at an alarming rate, and their record sales began to reflect that fact.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Rising PowerBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:43 | 8 MB | 27 MB |
| 2 | This House Is on FireBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:23 | 7 MB | 25 MB |
| 3 | Flick of the SwitchBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:13 | 7 MB | 24 MB |
| 4 | Nervous ShakedownBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 04:27 | 10 MB | 31 MB |
| 5 | LandslideBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:57 | 9 MB | 29 MB |
| 6 | Guns for HireBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:24 | 7 MB | 25 MB |
| 7 | Deep in the HoleBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:19 | 7 MB | 23 MB |
| 8 | Bedlam in BelgiumBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:52 | 8 MB | 28 MB |
| 9 | BadlandsBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 03:38 | 8 MB | 26 MB |
| 10 | Brain ShakeBrian Johnson, Angus Young, Malcolm Young | AC/DC | Play | 04:09 | 9 MB | 29 MB |
| 37 mins | 85 MB | |||||
| 37 mins | 271 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Benji ? | Assistant Engineer |
| 2 | AC/DC | Cover Design, Primary Artist, Producer |
| 3 | Mark Fraser | Mastering Supervisor |
| 4 | Mike Fraser | Mastering Supervisor |
| 5 | Claude Gassian | Photography |
| 6 | Lynn Goldsmith | Photography |
| 7 | William Hames | Photography |
| 8 | Barry Harris | Assistant Engineer |
| 9 | Gary Helman | Assistant Engineer |
| 10 | Brian Johnson | Composer, Producer, Vocals |
| 11 | Lawrence Kirsch | Photography |
| 12 | Bob Ludwig | Mastering |
| 13 | George Marino | Digital Remastering |
| 14 | Jeffrey Mayer | Photography |
| 15 | UE Nastasi | Digital Assembly |
| 16 | Paul Natkin | Photography |
| 17 | Anastasia Pantsios | Photography |
| 18 | Tony Platt | Engineer, Mixing |
| 19 | Al Quaglieri | Mastering Supervisor |
| 20 | Brent Richardson | Cover Design, Drawing |
| 21 | Phil Rudd | Drums, Producer |
| 22 | Pierre Terrasson | Photography |
| 23 | Brad Tolinski | Liner Notes |
| 24 | Mark Weiss | Photography |
| 25 | Cliff Williams | Bass, Guitar (Bass), Producer |
| 26 | Angus Young | Composer, Guitar, Producer |
| 27 | Malcolm Young | Composer, Guitar, Guitar (Rhythm), Producer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |