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Full Circle marks the Dregs' return to the recording studio after an absence of over a decade.
The 1994 release also reunites the band with its original label, Capricorn Records.
In fact, the music on Full Circle is pretty typical of the band's earlier Capricorn releases, with a few straight-ahead rockers (including the opener, "Aftershock"), a Texas swing tune ("Goin' to Town"), a semi-classical time signature shifter ("Pompous Signature"), a Baroque-ish guitar piece ("Yeolde"), and plenty of excellent musicianship throughout.
A fun listen.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | AftershockThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 03:45 | 8 MB | 25 MB |
| 2 | Perpetual RealityThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 05:33 | 12 MB | 36 MB |
| 3 | CalcuttaThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 05:28 | 12 MB | 35 MB |
| 4 | Goin' to TownThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 03:39 | 8 MB | 23 MB |
| 5 | Pompous CircumstancesThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 03:22 | 7 MB | 22 MB |
| 6 | Shapes of ThingsJim McCarty, Steve Morse, Keith Relf, Paul Samwell-Smith | The Dixie Dregs | Play | 03:47 | 8 MB | 24 MB |
| 7 | Sleeveless in SeattleThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 04:07 | 9 MB | 25 MB |
| 8 | Good IntentionsThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 04:00 | 9 MB | 25 MB |
| 9 | YeoldeThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 02:18 | 5 MB | 12 MB |
| 10 | IonizedThe Dixie Dregs, Steve Morse | The Dixie Dregs | Play | 04:00 | 9 MB | 25 MB |
| 40 mins | 91 MB | |||||
| 40 mins | 257 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Marcia Beverley | Art Direction |
| 2 | Lesley Bohm | Photography |
| 3 | Kimberlin Brown | Art Direction |
| 4 | Allison Corlew | Design |
| 5 | The Dixie Dregs | Composer, Primary Artist |
| 6 | Michael Fuller | Mastering |
| 7 | Jerry Goodman | Violin |
| 8 | Dave LaRue | Bass (Electric) |
| 9 | T Lavitz | Keyboards |
| 10 | Jim McCarty | Composer |
| 11 | Rod Morgenstein | Drums, Percussion |
| 12 | Tom Morris | Engineer, Mastering, Mixing |
| 13 | Steve Morse | Composer, Engineer, Guitar, Mixing, Producer |
| 14 | Keith Relf | Composer |
| 15 | Paul Samwell-Smith | Composer |
| 16 | Nigel Walker | Engineer, Mixing |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |