No need to worry about Apollo 440 turning intelligent in the wake of electronica's growing experimental leanings.
Their third album overall, Getting High on Your Own Supply is a ride through sampladelic breakbeat that's just as mad as 1997's Electro Glide in Blue.
Seemingly oblivious that even their youngest listeners could spot their samples, Apollo 440 pillage Led Zeppelin and Status Quo (among others), blending styles from trance, ska, hip-hop, dub, and disco with a tossed-off feel that's quite charming.
From the breakout single "Stop the Rock" to the unabashed, old-school silliness of "Cold Rock the Mic" and a remix of last year's "Lost in Space" theme which fuses black metal with jungle breakbeats, Getting High on Your Own Supply is another dumb but infectious party album to file alongside Fatboy Slim's You've Come a Long Way, Baby.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Stop the RockHoward Gray, Trevor Gray, Noko | Apollo 440 | Play | 03:33 | 8 MB | 0 MB |
| 2 | Are We a Rock Band or What...? (Instrumental Version) | Apollo 440 | Play | 01:19 | 3 MB | 0 MB |
| 3 | Crazee Horse (Instrumental Version) | Apollo 440 | Play | 03:46 | 8 MB | 0 MB |
| 4 | Cold Rock the Mic (Instrumental Version) | Apollo 440 | Play | 04:18 | 9 MB | 0 MB |
| 5 | Lost In Space (Theme) (Instrumental Version) | Apollo 440 | Play | 03:25 | 7 MB | 0 MB |
| 6 | For Forty Days (Instrumental Version) | Apollo 440 | Play | 05:31 | 12 MB | 0 MB |
| 7 | Heart Go Boom (Instrumental Version) | Apollo 440 | Play | 05:02 | 11 MB | 0 MB |
| 8 | The Machine in the Ghost (Instrumental Version) | Apollo 440 | Play | 06:42 | 15 MB | 0 MB |
| 9 | Blackbeat (Instrumental Version) | Apollo 440 | Play | 03:23 | 7 MB | 0 MB |
| 10 | Stadium Parking Lot (Instrumental Version) | Apollo 440 | Play | 03:51 | 8 MB | 0 MB |
| 11 | Yo! Future (Instrumental Version) | Apollo 440 | Play | 04:07 | 9 MB | 0 MB |
| 12 | High on Your Own Supply (Instrumental Version) | Apollo 440 | Play | 05:19 | 12 MB | 0 MB |
| 13 | The Perfect Crime (Instrumental Version) | Apollo 440 | Play | 06:02 | 13 MB | 0 MB |
| 56 mins | 129 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Apollo 440 | Primary Artist, Producer |
| 2 | Paul J. Colbourne | Composer |
| 3 | Kenny Cougar | Bass, Melodica |
| 4 | Rhoda Dakar | Vocals (Background) |
| 5 | H Gray | Composer |
| 6 | Howard Gray | Composer |
| 7 | T. Gray | Composer |
| 8 | Trevor Gray | Composer |
| 9 | Cliff Hewitt | Drums (Snare) |
| 10 | Harry K | Vocals |
| 11 | Kodish | Drums (Snare) |
| 12 | Mary Mary | Vocals |
| 13 | Noko | Composer |
| 14 | John Williams | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |