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Ghost On The Car Radio - Slaid Cleaves

Ghost On The Car Radio - Slaid Cleaves

7 out of 5
(12 tracks - 38 mins)

$ 7.99 $ 3.99

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Title/Composers Performer Listen Time Size Size
1
Already Gone
Slaid Cleaves
Slaid CleavesPlay03:016 MB0 MB
2
Drunken Barber's Hand
Slaid Cleaves, Rod Picott
Slaid CleavesPlay02:376 MB0 MB
3
If I Had a Heart
Slaid Cleaves
Slaid CleavesPlay03:438 MB0 MB
4
Little Guys
Slaid Cleaves, Karen Poston
Slaid CleavesPlay03:006 MB0 MB
5
Primer Gray
Slaid Cleaves, Rod Picott
Slaid CleavesPlay03:569 MB0 MB
6
Hickory
Slaid Cleaves, Nathan Hamilton
Slaid CleavesPlay03:378 MB0 MB
7
Take Home Pay
Slaid Cleaves, Rod Picott
Slaid CleavesPlay02:496 MB0 MB
8
The Old Guard
Slaid Cleaves, Jeff Elliott, Mike Morgan
Slaid CleavesPlay03:418 MB0 MB
9
So Good to Me
Slaid Cleaves
Slaid CleavesPlay03:167 MB0 MB
10
To Be Held
Slaid Cleaves
Slaid CleavesPlay03:157 MB0 MB
11
Still Be Mine
Slaid Cleaves, Graham Weber
Slaid CleavesPlay03:177 MB0 MB
12
Junkyard
Slaid Cleaves, Rod Picott
Slaid CleavesPlay02:054 MB0 MB
38 mins88 MB
0 mins0 MB
Note: You are able to listen to 30-second samples for preview purpose.
Artist Job
1
David Boyle
Engineer, Keyboards
2
John Chipman
Drums, Percussion
3
Karen Cleaves
Cover Art Concept, Photography
4
Slaid Cleaves
Composer, Primary Artist
5
Jeff Elliott
Composer
6
Nathan Hamilton
Composer
7
Chojo Jacques
Fiddle, Mandolin
8
Harmoni Kelley
Guitar (Bass), Vocals (Background)
9
Mike Morgan
Composer
10
Jud Newcomb
Guitar (Acoustic), Guitar (Electric), Producer, Vocal Harmony
11
Genevieve Paradis
Cover Art
12
Rod Picott
Composer
13
Karen Poston
Composer
14
Fred Remmert
Mastering, Mixing
15
Kevin Smith
Bass (Upright)
16
Graham Weber
Composer
17
Miles Zuniga
Vocals

Slaid Cleaves

Quality Format Encoding Description
Standard MP3 320kps 44.1kHz MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one.

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