Sale!
After Wholesale Meats and Fish failed to fulfill the potential of their debut, Letters to Cleo took two years off, switched drummers, and returned in 1997 with Go!.
While the group still shows some signs of growing pains, it's a more successful and assured record than its predecessor, demonstrating that the group still can knock out a big, catchy power pop hook on occasion.
It's a tougher record than Wholesale Meats and Fish, and the best moments on the album rival the best on Aurora Gory Alice.
The main problem with Go! is that Letters to Cleo can't keep up their momentum over the course of the record.
Still, the good points of the record illustrate that the group is improving, and that alone makes Go! a successful comeback.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | I Got TimeLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 02:44 | 6 MB | 0 MB |
| 2 | Because of YouLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:02 | 6 MB | 0 MB |
| 3 | AnchorLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:24 | 7 MB | 0 MB |
| 4 | Find You DeadLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 02:52 | 6 MB | 0 MB |
| 5 | Veda Very ShiningLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:30 | 8 MB | 0 MB |
| 6 | Co-PilotLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:40 | 8 MB | 0 MB |
| 7 | Go!Letters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 02:15 | 5 MB | 0 MB |
| 8 | SparklegirlLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:18 | 7 MB | 0 MB |
| 9 | Alouette & MeLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:38 | 8 MB | 0 MB |
| 10 | I'm a FoolLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:16 | 7 MB | 0 MB |
| 11 | DisappearLetters to Cleo, Michael Eisenstein, Kay Hanley, Greg McKenna, Tom Polce, Scott Riebling | Letters to Cleo | Play | 03:32 | 8 MB | 0 MB |
| 35 mins | 80 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Alphabet Arm | Art Direction |
| 2 | Peter Collins | Producer |
| 3 | Joseph Cultice | Photography |
| 4 | Michael Eisenstein | Composer, Guitar, Keyboards, Vocals, Vocals (Background) |
| 5 | Barry Green | Trombone |
| 6 | Paul David Hager | Engineer, Recording |
| 7 | Ellen "Mumma" Hanley | Vocals |
| 8 | Kay Hanley | Composer, Vocals |
| 9 | Greg Hawkes | Guest Artist, Keyboards, Synthesizer |
| 10 | Jesse Henderson | Assistant Engineer |
| 11 | Jim Horn | Guest Artist, Sax (Baritone) |
| 12 | Letters to Cleo | Composer, Primary Artist |
| 13 | Sam Levine | Guest Artist, Sax (Tenor) |
| 14 | Tom Lord-Alge | Mixing |
| 15 | Bob Ludwig | Mastering |
| 16 | Greg McKenna | Composer |
| 17 | Greg McKenna | Guitar, Vocals, Vocals (Background) |
| 18 | Craig Nepp | Assistant Engineer |
| 19 | Ted Paduck | Assistant Engineer |
| 20 | Jed Parish | Guest Artist, Organ |
| 21 | Steve Patrick | Trumpet |
| 22 | Tom Polce | Composer, Drums, Vocals, Vocals (Background) |
| 23 | Anthony J. Resta | Guest Artist, Loop Programming |
| 24 | Tom Richards | Assistant Engineer |
| 25 | Scott Riebling | Bass, Composer, Vocals, Vocals (Background) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |