Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | Sasayaka na Yokubou | Yamaguchi Momoe | Play | 03:20 | 7 MB | 19 MB |
2 | Arigatou Anata | Yamaguchi Momoe | Play | 03:37 | 8 MB | 21 MB |
3 | Shiroi Yakusoku | Yamaguchi Momoe | Play | 03:44 | 8 MB | 24 MB |
4 | Yama Bato | Yamaguchi Momoe | Play | 03:06 | 7 MB | 18 MB |
5 | Ai ni Hashitte | Yamaguchi Momoe | Play | 03:40 | 8 MB | 22 MB |
6 | Akai Unmei | Yamaguchi Momoe | Play | 03:11 | 7 MB | 19 MB |
7 | Yokosuka Story | Yamaguchi Momoe | Play | 03:52 | 8 MB | 24 MB |
8 | GAME IS OVER | Yamaguchi Momoe | Play | 03:32 | 8 MB | 22 MB |
9 | Pearl Colour ni Yurete | Yamaguchi Momoe | Play | 03:09 | 7 MB | 20 MB |
10 | Ame ni Negai wo | Yamaguchi Momoe | Play | 03:19 | 7 MB | 21 MB |
11 | Akai Shougeki | Yamaguchi Momoe | Play | 03:34 | 8 MB | 23 MB |
12 | Hashire Kaze to Tomo ni | Yamaguchi Momoe | Play | 03:15 | 7 MB | 20 MB |
13 | Hatsukoi Zoushi | Yamaguchi Momoe | Play | 03:50 | 8 MB | 23 MB |
14 | Monotone no Shouzouga | Yamaguchi Momoe | Play | 04:01 | 9 MB | 25 MB |
15 | Yume Saki Annai Nin | Yamaguchi Momoe | Play | 04:06 | 9 MB | 25 MB |
16 | Haru ni Fukarete | Yamaguchi Momoe | Play | 03:51 | 8 MB | 23 MB |
17 | Imitation Gold | Yamaguchi Momoe | Play | 03:23 | 7 MB | 22 MB |
18 | Hanafude Moji | Yamaguchi Momoe | Play | 02:31 | 5 MB | 15 MB |
63 mins | 145 MB | |||||
63 mins | 395 MB |
Note: You are able to listen to 30-second samples for preview purpose.
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |