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After successful albums that effectively followed contemporary hard rock trends, Cinderella reached back into the Stones and Aerosmith songbooks and created a sneering, raunchy hard rock album that was artistically their finest moment, even if it didn't reach the same commercial heights as its predecessors.
But the sales figures don't matter (it only sold a million copies); Heartbreak Station shows that Cinderella has more genuine rock & roll grit than most of the metal bands of the late '80s.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | The More Things ChangeTom Keifer | Cinderella | Play | 04:22 | 10 MB | 29 MB |
| 2 | Love's Got Me Doin' TimeEric Brittingham, Tom Keifer | Cinderella | Play | 05:19 | 12 MB | 36 MB |
| 3 | Shelter MeTom Keifer | Cinderella | Play | 04:47 | 10 MB | 33 MB |
| 4 | Heartbreak StationTom Keifer | Cinderella | Play | 04:28 | 10 MB | 27 MB |
| 5 | Sick for the CureTom Keifer | Cinderella | Play | 03:59 | 9 MB | 25 MB |
| 6 | One for Rock and RollTom Keifer | Cinderella | Play | 04:29 | 10 MB | 27 MB |
| 7 | Dead Man's RoadTom Keifer | Cinderella | Play | 06:38 | 15 MB | 41 MB |
| 8 | Make Your Own WayTom Keifer | Cinderella | Play | 04:15 | 9 MB | 28 MB |
| 9 | Electric LoveTom Keifer | Cinderella | Play | 05:23 | 12 MB | 34 MB |
| 10 | Love Gone BadTom Keifer | Cinderella | Play | 04:20 | 9 MB | 27 MB |
| 11 | Winds of ChangeTom Keifer | Cinderella | Play | 05:34 | 12 MB | 31 MB |
| 53 mins | 122 MB | |||||
| 53 mins | 344 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Tawatha Agee | Vocals (Background) |
| 2 | John Avarese | Synthesizer, Synthesizer Programming |
| 3 | Michael Barbiero | Mixing |
| 4 | Carla Benson | Vocals (Background) |
| 5 | Evette Benton | Vocals (Background) |
| 6 | Eric Brittingham | Bass, Composer, Guitar (Bass) |
| 7 | Cinderella | Primary Artist |
| 8 | Fred Coury | Drums, Percussion, Vocals (Background) |
| 9 | George Cowan | Mixing |
| 10 | K. Criniti | Keyboards |
| 11 | Rick Criniti | Keyboards |
| 12 | Jay Davidson | Piano, Saxophone |
| 13 | Elaine Foster | Vocals (Background) |
| 14 | Gene Foster | Assistant Engineer |
| 15 | Sharon Foster | Vocals (Background) |
| 16 | Ross Halfin | Photography |
| 17 | William Hames | Collage |
| 18 | Ken Hensley | Organ |
| 19 | Wayne Jackson | Trumpet |
| 20 | John Jansen | Producer |
| 21 | Robert John | Collage |
| 22 | Bashiri Johnson | Percussion |
| 23 | John Paul Jones | Arranger, String Arrangements, Strings |
| 24 | Mitchell Kanner | Art Direction, Design |
| 25 | Tom Keifer | Composer, Dobro, Guitar, Guitar (12 String), Guitar (Acoustic), Guitar (Electric), Lap Steel Guitar, Mandocello, Mandolin, Piano, Producer, Slide Guitar, Vocals |
| 26 | Brenda King | Vocals (Background) |
| 27 | Curtis King | Vocals (Background) |
| 28 | Matthew "Boomer" La Monica | Assistant Engineer |
| 29 | Jeff LaBar | Guitar, Slide Guitar |
| 30 | Jay Levin | Guitar, Pedal Steel |
| 31 | Andrew Love | Saxophone |
| 32 | Gary Lyons | Engineer |
| 33 | Roy McDonald | Programming, Synthesizer, Synthesizer Programming |
| 34 | The Memphis Horns | Guest Artist, Horn |
| 35 | Brian O'Neal | Organ, Piano |
| 36 | Jim Odom | Assistant Engineer |
| 37 | Tara Pellerin | Vocals (Background) |
| 38 | Mike Reiter | Mixing |
| 39 | Rod Roddy | Clavinet, Piano |
| 40 | Rob Schumann | Guitar |
| 41 | Brian Stover | Assistant Engineer |
| 42 | Steve Thompson | Mixing |
| 43 | Scott Townsend | Design |
| 44 | Eric Troyer | Vocals (Background) |
| 45 | Mark Weiss | Collage, Photography |
| 46 | Neil Zlozower | Collage |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |