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The follow-up to 2009's Good Day, Peter White's 13th studio effort, 2012's Here We Go, features more of the adept smooth jazz guitarist's lyrical and lightly funky cuts.
Sticking primarily to his acoustic nylon-string guitar, White mixes in keyboards, various percussion instruments, saxes, and horns to create various moods throughout with the primary vibe being one of relaxed joy.
To these ends, we get the steamy R&B-infused cut "Time Never Sleeps," the languid instrumental pop of "Our Dance," and the club-ready dance number "Joyride." Adding to the sophisticated aura of the album are guest appearances by such artists as David Sanborn, Andrew Neu, and Kirk Whalum.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Night After NightPeter White | Peter White | Play | 05:22 | 12 MB | 40 MB |
| 2 | Time Never SleepsPhilippe Saisse, Peter White | Peter White | Play | 05:12 | 11 MB | 36 MB |
| 3 | Here We GoPeter White | Peter White | Play | 03:58 | 9 MB | 28 MB |
| 4 | If Ever...Peter White | Peter White | Play | 04:31 | 10 MB | 32 MB |
| 5 | Our DancePeter White | Peter White | Play | 05:12 | 11 MB | 30 MB |
| 6 | Desert NightPeter White | Peter White | Play | 02:59 | 6 MB | 15 MB |
| 7 | JoyridePeter White | Peter White | Play | 05:03 | 11 MB | 37 MB |
| 8 | Costa RicaPeter White | Peter White | Play | 05:19 | 12 MB | 39 MB |
| 9 | My Lucky DayPeter White | Peter White | Play | 04:59 | 11 MB | 35 MB |
| 10 | Requiem for a PrincessPeter White | Peter White | Play | 05:00 | 11 MB | 32 MB |
| 11 | ReunionPeter White | Peter White | Play | 04:57 | 11 MB | 28 MB |
| 52 mins | 120 MB | |||||
| 52 mins | 356 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Paul Blakemore | Mastering |
| 2 | Steve Chapman | Management |
| 3 | Kiki Ebsen | Vocals |
| 4 | Jan Fairchild | Mixing |
| 5 | Gabriel the Gun | Flugelhorn, Trumpet |
| 6 | Andrew Neu | Flute, Sax (Soprano), Saxophone |
| 7 | Nate Phillips | Bass |
| 8 | Albert J. Roman | Package Design |
| 9 | Philippe Saisse | Composer, Drum Programming, Keyboards, Orchestration, Piano |
| 10 | David Sanborn | Saxophone, Soloist |
| 11 | Mel Scott | Sax (Baritone) |
| 12 | Lori Stoll | Photography |
| 13 | Roberto Vally | Bass, Bass (Upright) |
| 14 | Kirk Whalum | Saxophone |
| 15 | Charlotte White | Violin |
| 16 | Peter White | Composer, Engineer, Musician, Primary Artist, Producer |
| 17 | Ramon Yslas | Congas, Percussion, Timbales |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |