It might be the short length of Dolly Parton's Here You Come Again that inevitably makes it feel like it just didn't quite all come together, yet there are plenty of high points, such as the catchy title tune, the grooving "It's All Wrong, But It's All Right," "Two Doors Down," and the typically Parton-esque charm of "Cowgirl and the Dandy." Some problems originate with the studio backup, which just isn't country enough.
Sure, there's some pedal steel here and there, but an effort is obviously being made to steer her away from the hardcore country sound to whatever might have been perceived as being popular in the late '70s.
This is still a few years before disco was to temporarily monopolize her aesthetic.
The musicians here represent a smooth Los Angeles sound, with pickers such as David Lindley aboard.
There are even synthesizer contributions from Ian Underwood, but from what he does one would hardly know that he had been a member of the avant-garde rock outfit the Mothers of Invention.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Here You Come AgainBarry Mann, Cynthia Weil | Dolly Parton | Play | 02:56 | 6 MB | 0 MB |
| 2 | Baby Come Out TonightKen McCord | Dolly Parton | Play | 03:29 | 7 MB | 0 MB |
| 3 | It's All Wrong, But It's All RightDolly Parton | Dolly Parton | Play | 03:21 | 7 MB | 0 MB |
| 4 | Me and Little AndyDolly Parton | Dolly Parton | Play | 02:36 | 5 MB | 0 MB |
| 5 | Lovin' YouJohn Sebastian | Dolly Parton | Play | 02:25 | 5 MB | 0 MB |
| 6 | Cowgirl & The DandyBobby Goldsboro | Dolly Parton | Play | 03:48 | 8 MB | 0 MB |
| 7 | Two Doors DownDolly Parton | Dolly Parton | Play | 03:04 | 7 MB | 0 MB |
| 8 | God's Coloring BookDolly Parton | Dolly Parton | Play | 03:14 | 7 MB | 0 MB |
| 9 | As Soon as I Touched Him | Dolly Parton | Play | 03:14 | 7 MB | 0 MB |
| 10 | Sweet Music ManKenny Rogers | Dolly Parton | Play | 03:08 | 7 MB | 0 MB |
| 31 mins | 71 MB | |||||
| 0 mins | 0 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Ben Benay | Guitar |
| 2 | Harry Bluestone | Concert Master |
| 3 | Ed Caraeff | Art Direction, Design, Photography |
| 4 | Jodi Cohen | Typesetting |
| 5 | Frank DeCaro | Music Contractor |
| 6 | Nick DeCaro | Accordion, String Arrangements, Vocal Arrangement, Vocals (Background) |
| 7 | David Foster | Keyboards, Synthesizer |
| 8 | Jan Gassman | Vocals (Background) |
| 9 | James Getzoff | Concert Master |
| 10 | Bobby Goldsboro | Composer |
| 11 | Jay Graydon | Guitar |
| 12 | Ed Greene | Drums |
| 13 | Steve Hoffman | Remastering |
| 14 | David Hungate | Bass, Guest Artist |
| 15 | Jim Keltner | Drums, Percussion |
| 16 | Gary Klein | Producer |
| 17 | Charles Koppelman | Executive Producer |
| 18 | David Lindley | Slide Guitar |
| 19 | Barry Mann | Composer |
| 20 | Michael Manoogian | Lettering |
| 21 | Myrna Matthews | Vocals (Background) |
| 22 | Marti McCall | Vocals (Background) |
| 23 | Ken McCord | Composer |
| 24 | Ken McCord | Composer |
| 25 | Marcia McGovern | Production Director |
| 26 | Gene Morford | Vocals (Background) |
| 27 | Dean Parks | Banjo, Guitar, Rhythm Arrangements |
| 28 | Dolly Parton | Composer, Primary Artist, Vocals, Vocals (Background) |
| 29 | Al Perkins | Pedal Steel |
| 30 | Kenny Rogers | Composer |
| 31 | John Sebastian | Composer |
| 32 | Armin Steiner | Engineer, Remixing |
| 33 | Zedric Turnbough | Vocals (Background) |
| 34 | Linda Tyler | Assistant Engineer |
| 35 | Ian Underwood | Programming, Synthesizer |
| 36 | Cynthia Weil | Composer |
| 37 | David Wolfert | Guitar, Pedal Steel |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |