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Hoist is the most concise Phish album to date, but that's not necessarily a compliment.
Phish's strength is not songcraft or hooks, it's the band's love of free-form song structures and extended jams.
When the group's sound is reduced to its core, as it is on Hoist, it isn't quite as compelling.
Nevertheless, the album is an improvement on the dismal Rift and features several fine cuts.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | JuliusTrey Anastasio, Tom Marshall | Phish | Play | 04:42 | 10 MB | 32 MB |
| 2 | Down with DiseaseTrey Anastasio, Tom Marshall | Phish | Play | 04:07 | 9 MB | 27 MB |
| 3 | If I CouldTrey Anastasio | Phish | Play | 04:09 | 9 MB | 25 MB |
| 4 | Riker's MailboxTrey Anastasio, Jonathan Fishman, Mike Gordon, Tom Marshall, Page McConnell, Phish | Phish | Play | 00:26 | 1 MB | 2 MB |
| 5 | Axilla, Pt. 2Trey Anastasio, Tom Marshall | Phish | Play | 04:28 | 10 MB | 29 MB |
| 6 | LifeboyTrey Anastasio, Tom Marshall | Phish | Play | 06:54 | 15 MB | 36 MB |
| 7 | Sample in a JarTrey Anastasio, Tom Marshall | Phish | Play | 04:41 | 10 MB | 31 MB |
| 8 | Wolfman's BrotherTrey Anastasio, Jonathan Fishman, Mike Gordon, Tom Marshall, Page McConnell | Phish | Play | 04:28 | 10 MB | 29 MB |
| 9 | Scent of a MuleMike Gordon | Phish | Play | 04:02 | 9 MB | 25 MB |
| 10 | DemandTrey Anastasio, Tom Marshall | Phish | Play | 10:42 | 24 MB | 70 MB |
| 11 | Dog-Faced Boy | Phish | Play | 02:11 | 5 MB | 10 MB |
| 50 mins | 116 MB | |||||
| 50 mins | 319 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Greg Adams | Flugelhorn, Horn Arrangements |
| 2 | Danny Alonso | Assistant Engineer |
| 3 | Trey Anastasio | Composer, Guitar, Producer, Vocals |
| 4 | Angela Brown | Vocals (Background) |
| 5 | Emilio Castillo | Sax (Tenor) |
| 6 | Morgan Fichter | Violin |
| 7 | Jonathan Fishman | Composer, Drums, Producer, Trombone, Vocals |
| 8 | Béla Fleck | Banjo, Guest Artist |
| 9 | Paul Fox | Producer |
| 10 | Jonathan Frakes | Trombone |
| 11 | Mike Gordon | Bass, Composer, Guitar (Bass), Producer, Vocals |
| 12 | Richard Greene | Strings |
| 13 | Rickey Grundy | Conductor, Vocals (Background) |
| 14 | Alison Krauss | Guest Artist, Vocals |
| 15 | Stephen "Doc" Kupka | Sax (Baritone) |
| 16 | Paul Languedoc | Technical Assistance |
| 17 | David Mann | Sax (Alto) |
| 18 | Stephen Marcussen | Mastering |
| 19 | Tom Marshall | Composer |
| 20 | Jean McClain | Vocals (Background) |
| 21 | Page McConnell | Composer, Keyboards, Organ, Piano, Vocals |
| 22 | Paul Mitchell | Technical Assistance |
| 23 | Phish | Composer, Primary Artist |
| 24 | Rose Stone | Vocals (Background) |
| 25 | Ed Thacker | Engineer, Mixing, Recorder |
| 26 | Lee Thornburg | Trombone, Trumpet |
| 27 | Tower of Power Horns | Guest Artist |
| 28 | Matt Westfield | Assistant Engineer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |