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Angra replaces the classic progressive metal sound found on Angels Cry with Brazilian-influenced metal.
There are a couple of standard metal tracks, "Nothing to Say" and "Z.I.T.O.," which would have fit on Angels Cry.
The rest of Holy Land features the slower songs "Make Believe," "Deep Blue" and "Lullaby for Lucifer," plus songs influenced by Brazilian rhythms, including "Silence and Distance," "Holy Land," and "The Shaman." This mixing of styles works beautifully.
While Holy Land may not be metal from start to finish, it is an album with an unusual combination of power, intensity and beauty.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Crossing | Angra | Play | 01:56 | 4 MB | 10 MB |
| 2 | Nothing to SayKiko Loureiro, Andre Matos | Angra | Play | 06:20 | 14 MB | 47 MB |
| 3 | Silence and DistanceAndre Matos | Angra | Play | 05:34 | 12 MB | 35 MB |
| 4 | Carolina IVRafael Bittencourt, Kiko Loureiro, Andre Matos | Angra | Play | 10:33 | 24 MB | 76 MB |
| 5 | Holy LandAndre Matos | Angra | Play | 06:26 | 14 MB | 37 MB |
| 6 | The ShamanAndre Matos | Angra | Play | 05:23 | 12 MB | 37 MB |
| 7 | Make BelieveRafael Bittencourt, Andre Matos | Angra | Play | 05:51 | 13 MB | 41 MB |
| 8 | Z.I.T.O.Rafael Bittencourt, Kiko Loureiro, Andre Matos | Angra | Play | 06:02 | 13 MB | 45 MB |
| 9 | Deep BlueAndre Matos | Angra | Play | 05:47 | 13 MB | 33 MB |
| 10 | Lullaby for LuciferRafael Bittencourt, Kiko Loureiro | Angra | Play | 02:43 | 6 MB | 16 MB |
| 56 mins | 129 MB | |||||
| 56 mins | 382 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Angra | Primary Artist |
| 2 | Charly Bauerfeind | Engineer, Mixing, Programming |
| 3 | Rafael Bittencourt | Composer, Guitar |
| 4 | Castora | Percussion, Tamborim, Voices |
| 5 | Ricardo Confessori | Drums |
| 6 | Nikolaj Georgiew | Photography |
| 7 | Reginaldo Gomes | Bass (Vocal) |
| 8 | Ricardo Kubala | Vocals |
| 9 | Kiko Loureiro | Composer, Guitar |
| 10 | Luis Mariutti | Bass |
| 11 | Andre Matos | Composer, Flute, Keyboards, Organ, Piano, Tenor (Vocal), Viola, Vocals |
| 12 | John Nelson | Lyric Assistant |
| 13 | John Newman | Lyric Assistant |
| 14 | Sascha Paeth | Computers, Engineer, Keyboards, Orchestral Arrangements, Programming |
| 15 | Antonio D. Pirani | Executive Producer |
| 16 | Monica Thiele | Alto (Vocals) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |