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Geoff Moore followed up his 1992 Dove award-winning song "The Great Adventure," with Home Run, which continued his collaboration with Steven Curtis Chapman on two songs.
Throughout Home Run, Moore turns in a set of rootsy, driving, inspirational pop/rock.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Home RunSteven Curtis Chapman, Geoff Moore | Geoff Moore, Geoff Moore & the Distance | Play | 03:53 | 8 MB | 27 MB |
| 2 | New AmericansGeoff Moore, Jimmie Lee Sloas | Geoff Moore, Geoff Moore & the Distance | Play | 05:10 | 11 MB | 33 MB |
| 3 | Evidence of GodRoscoe Meek, Geoff Moore | Geoff Moore, Geoff Moore & the Distance | Play | 05:42 | 13 MB | 40 MB |
| 4 | Best DaysPhil Madeira, Geoff Moore | Geoff Moore | Play | 04:29 | 10 MB | 23 MB |
| 5 | The VowGeoff Moore, Jimmie Lee Sloas | Geoff Moore | Play | 04:07 | 9 MB | 28 MB |
| 6 | Love Will Save the DayGeoff Moore, Jimmie Lee Sloas | Geoff Moore, Geoff Moore & the Distance | Play | 03:48 | 8 MB | 28 MB |
| 7 | Born to BeGeoff Moore, Jimmie Lee Sloas | Geoff Moore | Play | 04:02 | 9 MB | 29 MB |
| 8 | Come Near to MeGeoff Moore, Jimmie Lee Sloas | Geoff Moore | Play | 05:09 | 11 MB | 33 MB |
| 9 | Tell Me AgainSteven Curtis Chapman, Geoff Moore | Geoff Moore | Play | 04:36 | 10 MB | 28 MB |
| 10 | Nothing to HidePhil Madeira, Geoff Moore | Geoff Moore | Play | 04:54 | 11 MB | 34 MB |
| 11 | We Are WaitingGeof Barkley, Geoff Moore | Geoff Moore | Play | 04:38 | 10 MB | 27 MB |
| 50 mins | 115 MB | |||||
| 50 mins | 335 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Geof Barkley | Choir/Chorus, Composer, Keyboards |
| 2 | Richie Biggs | Engineer |
| 3 | Dan Brock | Executive Producer |
| 4 | Nancy Stoughton Brookshire | Choir/Chorus |
| 5 | Ronnie Brookshire | Engineer, Mixing |
| 6 | Serene Campbell | Choir/Chorus |
| 7 | Steven Curtis Chapman | Composer, Guest Artist |
| 8 | Chuck Conner | Choir/Chorus, Drums |
| 9 | Eric Darken | Musician |
| 10 | Eddie DeGarmo | Choir/Chorus, Executive Producer |
| 11 | Dave Dillbeck | Engineer |
| 12 | Lorraine Ferro | Choir/Chorus |
| 13 | Jeff Frazier | Photography |
| 14 | Michael Gleason | Musician |
| 15 | John Hampton | Engineer |
| 16 | Chris Harris | Musician, Voiceover |
| 17 | Rick Heil | Choir/Chorus |
| 18 | Andy Hubbard | Choir/Chorus |
| 19 | Dann Huff | Musician |
| 20 | Suzie Johnson | Choir/Chorus |
| 21 | Gordon Kennedy | Musician |
| 22 | Ken Love | Mastering |
| 23 | Phil Madeira | Composer |
| 24 | Kathy Marshall | Choir/Chorus |
| 25 | Blair Masters | Musician |
| 26 | Carol Maxwell | Make-Up |
| 27 | Shawn McLean | Engineer |
| 28 | Roscoe Meek | Composer, Guitar (Acoustic), Guitar (Electric) |
| 29 | Michael Mellett | Musician |
| 30 | Geoff Moore | Composer, Liner Notes, Primary Artist, Vocals |
| 31 | Geoff Moore & the Distance | Performer, Primary Artist |
| 32 | Aubrey Naish | Choir/Chorus |
| 33 | Becky Naish | Choir/Chorus |
| 34 | Phil Naish | Musician, Producer, Voiceover |
| 35 | Daniel O'Lannerghty | Choir/Chorus |
| 36 | Bridgett Evans O'Lannerghty | Production Coordination |
| 37 | Cheryl Rogers | Choir/Chorus |
| 38 | Henry Rollins | Choir/Chorus |
| 39 | Jimmie Lee Sloas | Composer, Musician, Producer |
| 40 | Bert Stevens | Engineer |
| 41 | Jennifer Teague | Choir/Chorus |
| 42 | Randy Thomas | Musician |
| 43 | Michael Vaughan | Choir/Chorus |
| 44 | Celia Whitler | Choir/Chorus |
| 45 | Steve Wiggins | Choir/Chorus |
| 46 | Rick "Soldier" Will | Mixing |
| 47 | Randy Williams | Choir/Chorus |
| 48 | Cliff Young | Choir/Chorus |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |