Davies' third album finds this artist moving in a much more "pop" direction, proving that she can both stretch her wings artistically and has far more to offer than merely recycled riffs and motifs filtered through a women's perspective.
Her social consciousness raising quickly comes up for air on the opening track, "Howlin' At The Moon," one of only three Davies originals aboard this outing.
But her interpretations of gospel pop ballad material like Lenny McDaniel's beautiful "Tired Angels," and duets with Coco Montoya on Albert Collins' title track and Tab Benoit on "Let The Heartaches Begin" are every bit as strong, her vocal skills showing more maturity and assuredness with each album.
Her solo work is spot on, always paying homage to a wide variety of stylistic lessons well learned and solidly in the blues pocket with no added rock affectations to bog it down.
But tracks like "Homework" (not the Otis Rush classic) make it clear that this is Debbie Davies being mainstreamed into Bonnie Raitt territory and she doesn't sound uncomfortable there at all, making this a most ambitious effort.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Howlin' at the MoonDebbie Davies | Debbie Davies | Play | 04:23 | 10 MB | 30 MB |
| 2 | Tired AngelsLenny McDaniel | Debbie Davies | Play | 03:48 | 8 MB | 22 MB |
| 3 | I Got That FeelingAlbert Collins, Gwen Collins | Debbie Davies | Play | 04:04 | 9 MB | 27 MB |
| 4 | Watch Your StepPhil Belmonte | Debbie Davies | Play | 03:44 | 8 MB | 25 MB |
| 5 | Let the Heartaches BeginDon Castagno | Debbie Davies | Play | 03:20 | 7 MB | 20 MB |
| 6 | Lucky in LoveDebbie Davies | Debbie Davies | Play | 03:39 | 8 MB | 24 MB |
| 7 | Bad for MeLenny McDaniel | Debbie Davies | Play | 03:04 | 7 MB | 20 MB |
| 8 | Rockin' You BabyJerry Lynn Williams | Debbie Davies | Play | 03:24 | 7 MB | 21 MB |
| 9 | HomeworkDavid McKnight | Debbie Davies | Play | 04:14 | 9 MB | 28 MB |
| 10 | Talk to MeDebbie Davies | Debbie Davies | Play | 03:34 | 8 MB | 22 MB |
| 11 | I Could Get Used to ThisJerry Lynn Williams | Debbie Davies | Play | 04:12 | 9 MB | 22 MB |
| 12 | Where You Keep The Love In This Town | Debbie Davies | Play | 05:02 | 11 MB | 32 MB |
| 46 mins | 106 MB | |||||
| 46 mins | 298 MB | |||||
| Artist | Job | |
|---|---|---|
| 1 | Andy Aledort | Liner Notes |
| 2 | Phil Belmonte | Composer |
| 3 | Tab Benoit | Guest Artist, Guitar, Vocals |
| 4 | Jay Boivin | Design |
| 5 | Don Castagno | Composer, Drums |
| 6 | Albert Collins | Composer |
| 7 | Gwen Collins | Composer |
| 8 | Debbie Davies | Composer, Guitar, Guitar (Rhythm), Primary Artist, Vocals |
| 9 | Reed Fromer | Composer |
| 10 | Jim Gaines | Mixing, Producer |
| 11 | Michael Iacopelli | Mastering |
| 12 | Pat Johnson | Photography |
| 13 | Jason Latshaw | Engineer |
| 14 | Lenny McDaniel | Composer, Piano, Vocals (Background) |
| 15 | David McKnight | Composer |
| 16 | Coco Montoya | Guest Artist, Guitar, Vocals |
| 17 | Billy Ottinger | Bass |
| 18 | Andy Padlo | Composer |
| 19 | Steve Potts | Drums |
| 20 | Jeff Powell | Engineer |
| 21 | Jeffrey Reed | Engineer |
| 22 | Dave Smith | Bass |
| 23 | Jerry Lynn Williams | Composer |
| 24 | Ernest Williamson | Organ, Piano |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |