Brian Godding and Jim Cregan were still Blossom Toes' chief songwriters on their second album, but the LP stands in bold contrast to their debut in sound and attitude.

Having scuttled the orchestras and developed their chops in the two-year interlude, the record bears the influence of heavy California psychedelia and Captain Beefheart with its intricate, interwoven guitar lines and occasional gruff dissonance.

The more serious instrumental approach spills over to the lyrics, which are somber and at times even gloomy, occasionally reflecting the social turbulence of the late '60s, with their uncertain tenor and references to ominous "peace loving men" and "love bombs." Far less uplifting than their debut, the weighty approach is leavened by the close harmonies and sparkling guitar interplay.

While not as memorable as the first album, it's above-average late-'60s psychedelia that almost acts as the downer flip side to the stoned, happy-face ambience of their early work.