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One of Mathis's best recordings to date.
Contemporary updates of fifties classics such as "You Belong to Me" and "It's All in the Game." Take 6 supplies guest vorals on the title track.
Clean, uncomplicated orchestration.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Since I Fell for YouBuddy Johnson | Johnny Mathis | Play | 03:19 | 7 MB | 17 MB |
| 2 | In the Still of the Night (I'll Remember) (Album Version) | Johnny Mathis | Play | 02:39 | 6 MB | 16 MB |
| 3 | It's All In the Game (Album Version) | Johnny Mathis | Play | 02:34 | 5 MB | 16 MB |
| 4 | You Belong To Me (Album Version) | Johnny Mathis | Play | 03:39 | 8 MB | 21 MB |
| 5 | True Love Ways (Album Version) | Johnny Mathis | Play | 02:57 | 6 MB | 18 MB |
| 6 | Since I Don't Have You (Album Version) | Johnny Mathis | Play | 02:39 | 6 MB | 17 MB |
| 7 | Then You Can Tell Me Goodbye (Album Version) | Johnny Mathis | Play | 04:36 | 10 MB | 29 MB |
| 8 | The End Of The World (Album Version) | Johnny Mathis | Play | 03:06 | 7 MB | 17 MB |
| 9 | All Alone Am I (Album Version) | Johnny Mathis | Play | 03:23 | 7 MB | 20 MB |
| 10 | For Your Love (Album Version) | Johnny Mathis | Play | 03:34 | 8 MB | 23 MB |
| 32 mins | 74 MB | |||||
| 32 mins | 198 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Garrett Adkins | Trombone |
| 2 | Arthur Altman | Composer |
| 3 | Bryant Arnett | Assistant Engineer |
| 4 | James Beaumont | Composer |
| 5 | Gary Brandt | Engineer |
| 6 | Rick Braun | Trumpet |
| 7 | Peter Bunetta | Drums, Producer |
| 8 | Sonny Burke | Organ |
| 9 | Peter Burnetta | Producer |
| 10 | Alvin Chea | Vocals (Background) |
| 11 | Rick Chudacoff | Bass, Producer |
| 12 | Brad Cole | Keyboards |
| 13 | Charles Dawes | Composer |
| 14 | Sylvia Dee | Composer |
| 15 | Bill Elliott | Keyboards |
| 16 | Mark Ettel | Engineer |
| 17 | Melvin Franklin | Vocals (Background) |
| 18 | Mara Getz | Vocals (Background) |
| 19 | Bernie Grundman | Mastering |
| 20 | Mick Guzauski | Mixing |
| 21 | Manos Hadjidakis | Composer |
| 22 | John Helliwell | Clarinet, Sax (Tenor) |
| 23 | Victor Herbert | Composer |
| 24 | Buddy Holly | Composer |
| 25 | Dann Huff | Guitar |
| 26 | Ioann Idis | Composer |
| 27 | Joann Ioannidis | Composer |
| 28 | Buddy Johnson | Composer |
| 29 | Rebecca Chamlee Keeley | Art Direction |
| 30 | Arthur Kent | Composer |
| 31 | Mark Kibble | Vocals (Background) |
| 32 | Pee Wee King | Composer |
| 33 | Daren Klein | Engineer |
| 34 | Jay Landers | Executive Producer |
| 35 | Darrell Leonard | Trumpet |
| 36 | John D. Loudermilk | Composer |
| 37 | Johnny Mathis | Primary Artist, Vocals |
| 38 | Richard McKernan | Assistant Engineer |
| 39 | Claude McKnight | Vocals (Background) |
| 40 | Doug Norwine | Sax (Tenor) |
| 41 | Fred Parris | Composer |
| 42 | Norman Petty | Composer |
| 43 | Chilton Price | Composer |
| 44 | Marnie Riley | Assistant Engineer |
| 45 | Jimmy Roberts | Sax (Tenor) |
| 46 | Joseph Rock | Composer |
| 47 | Steve Satkowski | Assistant Engineer |
| 48 | Amy Shulman | Harp |
| 49 | Carl Sigman | Composer |
| 50 | Leslie Smith | Vocals (Background) |
| 51 | Redd Stewart | Composer |
| 52 | Take 6 | Guest Artist, Performer, Primary Artist |
| 53 | David Porter Thomas | Vocals (Background) |
| 54 | Ed Townsend | Composer |
| 55 | David Vance | Photography |
| 56 | Mervyn Warren | Arranger, Vocals (Background) |
| 57 | Frank Wolf | Engineer |
| 58 | David Woodford | Flute, Sax (Baritone) |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |