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Pryor reaffirms his mastery of postwar blues harp over the course of this sturdy set, again done with the help of some fine Texas and Chicago players.
Pryor's downhome vocals shine on the distinctive "Bury You in a Paper Sack" and "Stick Way Out Behind.".
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Bury You in a Paper SackSnooky Pryor | Snooky Pryor | Play | 04:35 | 10 MB | 27 MB |
| 2 | Pay for All Our SinsSnooky Pryor | Snooky Pryor | Play | 05:52 | 13 MB | 35 MB |
| 3 | Stick Way Out BehindSnooky Pryor | Snooky Pryor | Play | 03:23 | 7 MB | 19 MB |
| 4 | When the Saints Go Marching InTraditional | Snooky Pryor | Play | 03:43 | 8 MB | 23 MB |
| 5 | Take It Easy GreasySnooky Pryor | Snooky Pryor | Play | 05:04 | 11 MB | 30 MB |
| 6 | Slow Down BabySnooky Pryor | Snooky Pryor | Play | 03:26 | 8 MB | 21 MB |
| 7 | Bluebird BluesSonny Boy Williamson I | Snooky Pryor | Play | 05:42 | 13 MB | 36 MB |
| 8 | Hello Little BabySnooky Pryor | Snooky Pryor | Play | 04:12 | 9 MB | 25 MB |
| 9 | She Tried to Ruin MeSnooky Pryor | Snooky Pryor | Play | 05:16 | 12 MB | 32 MB |
| 10 | My Baby's Too Sweet to DieSnooky Pryor | Snooky Pryor | Play | 04:52 | 11 MB | 31 MB |
| 11 | Judgement DaySnooky Pryor | Snooky Pryor | Play | 06:20 | 14 MB | 39 MB |
| 12 | Can I Get A Witness? | Snooky Pryor | Play | 04:08 | 9 MB | 25 MB |
| 56 mins | 132 MB | |||||
| 56 mins | 349 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Clifford Antone | Executive Producer |
| 2 | Mel Brown | Guitar |
| 3 | Cindy Friedricks | Art Direction, Design |
| 4 | Larry Greenhill | Mixing |
| 5 | Eddie Habib | Engineer |
| 6 | Ted Harvey | Drums |
| 7 | Preston Hubbard | Bass |
| 8 | Calvin "Fuzz" Jones | Bass |
| 9 | John Mintz | Photography |
| 10 | Derek O'Brien | Guitar, Producer |
| 11 | Pinetop Perkins | Guest Artist, Piano |
| 12 | Snooky Pryor | Composer, Harmonica, Primary Artist, Vocals |
| 13 | Dick Reeves | Art Direction, Design |
| 14 | Bryan Simmons | Art Direction, Design |
| 15 | Willie "Big Eyes" Smith | Drums |
| 16 | Bob Stroger | Bass |
| 17 | Stuart Sullivan | Engineer, Mixing |
| 18 | Hubert Sumlin | Guitar |
| 19 | Gene Taylor | Piano |
| 20 | Traditional | Composer |
| 21 | Jerry Tubb | Mastering |
| 22 | Luther Tucker | Guitar |
| 23 | Junior Watson | Guitar |
| 24 | Sonny Boy Williamson I | Composer |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |