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Pianist Hank Jones recorded many dates as a leader during the latter half of the 1970s.
A superior transitional player whose two-handed style looks toward both swing and bop, Jones is mostly featured on this Galaxy date in a trio with bassist Ray Brown and drummer Shelly Manne, although three numbers also welcome guitarist Howard Roberts.
None of the seven compositions (by Jones, Brown, Pepper Adams, Thad Jones, and J.J.
Johnson, along with Sara Cassey's title cut) became well-known, but the fine interplay between the musicians and the concise and purposeful solos uplift the tunes.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | InterludeJ.J. Johnson | Hank Jones | Play | 05:14 | 12 MB | 28 MB |
| 2 | LullabyHank Jones | Hank Jones | Play | 05:36 | 12 MB | 23 MB |
| 3 | Little Rascal on a RockThad Jones | Hank Jones | Play | 04:02 | 9 MB | 17 MB |
| 4 | Bossa NouveauPepper Adams | Hank Jones | Play | 05:05 | 11 MB | 21 MB |
| 5 | Just for FunSara Cassey | Hank Jones | Play | 07:24 | 16 MB | 30 MB |
| 6 | Kids Are Pretty PeopleThad Jones | Hank Jones | Play | 07:27 | 17 MB | 25 MB |
| 7 | A Very Hip Rock And Roll Tune | Hank Jones | Play | 05:00 | 11 MB | 21 MB |
| 39 mins | 91 MB | |||||
| 39 mins | 168 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Pepper Adams | Composer |
| 2 | Baker Bigsby | Engineer |
| 3 | Phil Bray | Photography |
| 4 | Ray Brown | Bass, Composer, Guest Artist |
| 5 | Phil Carroll | Artwork |
| 6 | Sara Cassey | Composer |
| 7 | Lucinda Cowell | Design |
| 8 | Leonard Feather | Liner Notes |
| 9 | J.J. Johnson | Composer |
| 10 | Hank Jones | Composer, Piano, Primary Artist |
| 11 | Thad Jones | Composer |
| 12 | Orrin Keepnews | Executive Producer |
| 13 | Peter Knapp | Assistant Engineer |
| 14 | Shelly Manne | Drums, Guest Artist |
| 15 | Ed Michel | Producer |
| 16 | Howard Roberts | Guitar |
| 17 | Jackson Schwartz | Assistant Engineer |
| 18 | Joe Tarantino | Digital Mastering |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |