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By 1986, the Clive Langer/Alan Winstanley production team had become synonymous with an all-too-slick approach.
And despite their previous, well-tempered work with the band, Keep Moving falls into the same formulaic pitfalls of the period, incorporating the overused Afrodiziak and TKO horns, as well as a full gospel choir and even a cameo from Michael Caine.
Overbearing production aside, this is well-crafted Brit-pop that explores a brighter, though decidedly less memorable side than the previous album.
[The American issue replaces the lesser "Waltz Into Mischief" with the stray singles "Wings of a Dove" and "The Sun and the Rain," along with "Prospects" and "Samantha," making it the preferable version of the album.].
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Keep MovingChris Foreman, Graham "Suggs" McPherson, Carl "Chas Smash" Smyth | Madness | Play | 03:32 | 8 MB | 24 MB |
| 2 | Brand New BeatMike Barson, Lee Thompson | Madness | Play | 03:17 | 7 MB | 21 MB |
| 3 | March of the GherkinsMike Barson, Lee Thompson | Madness | Play | 03:29 | 8 MB | 23 MB |
| 4 | Michael CaineCarl "Chas Smash" Smyth, Dan Woodgate | Madness | Play | 03:39 | 8 MB | 22 MB |
| 5 | ProspectsGraham "Suggs" McPherson, Carl "Chas Smash" Smyth | Madness | Play | 04:14 | 9 MB | 28 MB |
| 6 | Victoria GardensMike Barson, Carl "Chas Smash" Smyth | Madness | Play | 04:31 | 10 MB | 30 MB |
| 7 | SamanthaMike Barson, Lee Thompson | Madness | Play | 03:13 | 7 MB | 21 MB |
| 8 | One Better DayMark Bedford, Graham "Suggs" McPherson | Madness | Play | 04:06 | 9 MB | 26 MB |
| 9 | Give Me a ReasonLee Thompson | Madness | Play | 03:27 | 7 MB | 23 MB |
| 10 | Turning BlueChris Foreman, Graham "Suggs" McPherson | Madness | Play | 03:06 | 7 MB | 20 MB |
| 11 | Time for TeaChris Foreman, Lee Thompson | Madness | Play | 03:08 | 7 MB | 20 MB |
| 12 | Waltz into MischiefGraham "Suggs" McPherson, Carl "Chas Smash" Smyth | Madness | Play | 03:36 | 8 MB | 23 MB |
| 13 | Keep Moving(Remix) | Madness | Play | 43:23 | 99 MB | 285 MB |
| 86 mins | 198 MB | |||||
| 86 mins | 571 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Miguel Barrados | Arranger |
| 2 | Mike Barson | Composer, Harmonica, Keyboards, Percussion |
| 3 | David Bedford | String Arrangements |
| 4 | Mark Bedford | Bass, Composer |
| 5 | Matt Butler | Engineer |
| 6 | Steve Churchyard | Engineer |
| 7 | Chris Foreman | Composer, Guitar |
| 8 | Greg Fulginiti | Mastering |
| 9 | Gavin Greenaway | Engineer |
| 10 | Louis Jardim | Percussion |
| 11 | Clive Langer | Producer |
| 12 | Madness | Primary Artist |
| 13 | Graham "Suggs" McPherson | Composer, Voices |
| 14 | Jim Russell | Engineer |
| 15 | Carl "Chas Smash" Smyth | Composer, Voices |
| 16 | Phil Tennant | Engineer |
| 17 | Lee Thompson | Composer, Saxophone |
| 18 | Alan Winstanley | Producer |
| 19 | Dan Woodgate | Composer, Drums |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |