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When Ridley Scott's Gladiator singularly revived the old Hollywood "Sword & Sandals" genre in 2000, it also propelled composer Hans Zimmer's rousing score onto every movie trailer that followed in its wake, so it's surprising to find the prolific -- but relatively unknown -- Harry Gregson-Williams taking the reins on Scott's similarly themed 12th century Crusades epic Kingdom of Heaven.
Williams approaches the era with a far more delicate touch than Zimmer, utilizing period and regional instrumentation, as well as lush choral arrangements to accentuate the film's romance and religiosity.
While there are plenty of instances where thunderous percussion and sweeping brass paint gallant images of galloping horses and tattered flags, there are more moments that effectively portray the bloody fields and pious ruminations of war.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Burning the PastHarry Gregson-Williams | Harry Gregson-Williams | Play | 02:45 | 6 MB | 0 MB |
| 2 | CrusadersHarry Gregson-Williams | Harry Gregson-Williams | Play | 01:40 | 3 MB | 0 MB |
| 3 | SwordplayHarry Gregson-Williams | Harry Gregson-Williams | Play | 02:01 | 4 MB | 0 MB |
| 4 | A New WorldHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:21 | 10 MB | 0 MB |
| 5 | To JerusalemHarry Gregson-Williams | Harry Gregson-Williams | Play | 01:36 | 3 MB | 0 MB |
| 6 | SibyllaHarry Gregson-Williams | Harry Gregson-Williams | Play | 01:49 | 4 MB | 0 MB |
| 7 | IbelinHarry Gregson-Williams | Harry Gregson-Williams | Play | 02:05 | 4 MB | 0 MB |
| 8 | Rise a KnightHarry Gregson-Williams | Harry Gregson-Williams | Play | 02:42 | 6 MB | 0 MB |
| 9 | The KingHarry Gregson-Williams | Harry Gregson-Williams | Play | 05:44 | 13 MB | 0 MB |
| 10 | The Battle of KerakHarry Gregson-Williams | Harry Gregson-Williams | Play | 05:34 | 12 MB | 0 MB |
| 11 | TermsHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:28 | 10 MB | 0 MB |
| 12 | Better ManHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:27 | 7 MB | 0 MB |
| 13 | CoronationHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:02 | 7 MB | 0 MB |
| 14 | An UnderstandingHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:13 | 9 MB | 0 MB |
| 15 | Wall BreachedHarry Gregson-Williams | Harry Gregson-Williams | Play | 03:42 | 8 MB | 0 MB |
| 16 | The Pilgrim RoadHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:07 | 9 MB | 0 MB |
| 17 | SaladinHarry Gregson-Williams | Harry Gregson-Williams | Play | 04:44 | 10 MB | 0 MB |
| 18 | Path to HeavenHarry Gregson-Williams | Harry Gregson-Williams | Play | 01:34 | 3 MB | 0 MB |
| 19 | Light of Life (Ibelin Reprise)Natacha Atlas, Harry Gregson-Williams | Harry Gregson-Williams | Play | 02:11 | 5 MB | 0 MB |
| 61 mins | 143 MB | |||||
| 0 mins | 0 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Natacha Atlas | Composer, Vocals |
| 2 | Natasha Atlas | Lyricist, Vocals |
| 3 | Bach Choir | Choir/Chorus |
| 4 | Göksel Baktagir | Quanun |
| 5 | Stephen Barton | Additional Music |
| 6 | Chris Benstead | Assistant Music Editor |
| 7 | Becky Bentham | Score Coordinator |
| 8 | Catherine Bott | Soprano, Soprano (Vocal) |
| 9 | Lauren Dooreck Camara | Art Direction, Design |
| 10 | Simon Changer | Digital Editing |
| 11 | Tom Chichester-Clark | Assistant Music Editor |
| 12 | Paul Clarvis | Drums, Ethnic Percussion |
| 13 | Peter Cobbin | Audio Engineer, Engineer, Mixing, Producer, Recording |
| 14 | Leslie Collman-Smith | Product Manager |
| 15 | Paul Cremo | Soundtrack Executive Producer |
| 16 | Iestyn Davies | Counter Tenor (Vocal) |
| 17 | Mercan Dede | Drums, Ethnic Percussion |
| 18 | Nigel Eaton | Hurdygurdy, Main Personnel |
| 19 | Fretwork | Ensemble |
| 20 | Tim Garside | Drums, Ethnic Percussion |
| 21 | Simon Gibson | Mastering |
| 22 | Harry Gregson-Williams | Audio Production, Composer, Conductor, Orchestration, Primary Artist, Producer |
| 23 | Lance Grode | Music Business Affairs |
| 24 | Brian Gulland | Vocals |
| 25 | Abdelkader Harir | Vocals |
| 26 | Richard Harvey | Main Personnel, Woodwind |
| 27 | Jacob Heringman | Lute, Main Personnel |
| 28 | Kardes Türküler | Ensemble |
| 29 | King's Consort Choir | Choir/Chorus |
| 30 | Robert King | Conductor |
| 31 | Michael Knobloch | Music Supervisor |
| 32 | Robert Kraft | Executive in Charge of Music |
| 33 | Richard Lancaster | Assistant Engineer |
| 34 | London Session Orchestra | Orchestra |
| 35 | Hugh Marsh | Guitar (Electric), Main Personnel, Violin (Electric) |
| 36 | Dale Melidosian | Music Business Affairs |
| 37 | Dawson Miller | Drums, Ethnic Percussion |
| 38 | Rebecca Morellato | Production Coordination, Score Production Coordinator |
| 39 | Neva Ozgen | Kemence |
| 40 | Frank Ricotti | Drums, Ethnic Percussion |
| 41 | Lisbeth Scott | Main Personnel, Vocals |
| 42 | Marc Streitenfeld | Music Supervisor |
| 43 | Nicole Tibbles | Soprano (Vocal) |
| 44 | Martin Tillman | Cello, Electric Cello, Main Personnel |
| 45 | Yurdal Tokan | Oud |
| 46 | David Walter | Assistant Engineer |
| 47 | Gavyn Wright | Orchestra Leader |
| 48 | Hussein Zahawy | Drums, Ethnic Percussion |
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |