This new album is classic Kitaro, with many layers of synthesizer and orchestral textures stating the themes.
There are more classical elements on this record, and a more "composed" feel to the songwriting.
$ 3.99 – $ 4.99
This new album is classic Kitaro, with many layers of synthesizer and orchestral textures stating the themes.
There are more classical elements on this record, and a more "composed" feel to the songwriting.
Title/Composers | Performer | Listen | Time | Size | Size | |
---|---|---|---|---|---|---|
1 | KoiKitaro | Kitaro | Play | 06:30 | 14 MB | 39 MB |
2 | OrochiKitaro | Kitaro | Play | 07:06 | 16 MB | 48 MB |
3 | NagekiKitaro | Kitaro | Play | 05:45 | 13 MB | 32 MB |
4 | MatsuriKitaro | Kitaro | Play | 09:00 | 20 MB | 53 MB |
5 | ReimeiKitaro | Kitaro | Play | 08:43 | 19 MB | 52 MB |
37 mins | 84 MB | |||||
37 mins | 226 MB |
Artist | Job | |
---|---|---|
1 | Terry Adams | Cello |
2 | Jenny Amador | Violin |
3 | Hiroshi Araki | Guitar |
4 | Brian BecVar | Keyboards |
5 | Charlie Bisharat | Violin |
6 | Sharon Calonico | Violin |
7 | Sue Clarke | Editing |
8 | Barry Coates | Guitar |
9 | Jeremy Cohen | Concert Master |
10 | Keith Cowan | Percussion Technician |
11 | Jenney Culp | Cello |
12 | Erik Deutsch | Production Coordination |
13 | Mark Drury | Bass |
14 | Adrienne Duckworth | Violin |
15 | Bob Edwards | Assistant Engineer |
16 | Ron Erickson | Violin |
17 | Paul Erlich | Viola |
18 | Shinji Eshima | Bass |
19 | Tom Flye | Engineer, Mixing |
20 | Clif Foster | Violin |
21 | Ruth Freeman | Viola |
22 | Syoji Fujii | Drums |
23 | Hideo Funamoto | Timpani |
24 | Tim Gennert | Reissue Remastering |
25 | Linda Ghidossi-Deluca | Viola |
26 | Kio Griffith | Reissue Design |
27 | Reggie Hamilton | Bass |
28 | Stefan Hersh | Violin |
29 | Bobby Hickey | Concert Sound Engineer |
30 | Masakazu Hirao | Design |
31 | Jim Hurley | Viola |
32 | Kohhachi Itoch | Bass (Electric) |
33 | Roxanna Jacobson | Viola |
34 | Mike Jones | Monitor Engineer |
35 | Noboru Katoh | Assistant Engineer |
36 | Steven Kindler | Violin |
37 | Kitaro | Arranger, Composer, Primary Artist, Producer |
38 | Pat Klobas | Bass |
39 | Jun Kobayashi | Photography |
40 | Reijiro Koroku | Associate Producer, Musical Supervision |
41 | Matt Leach | Production Manager |
42 | Tristan Lehnert | Violin |
43 | George Marino | Mastering |
44 | Greg Mazmanian | Violin |
45 | Thalia Moore | Cello |
46 | Goofy Mori | Art Direction |
47 | Goofy Moti | Concept |
48 | Eiichi Naito | Executive Producer |
49 | Mike Negrin | Photography Director |
50 | Jeff Neighbor | Bass |
51 | Sharon O'Conner | Cello |
52 | Yasuo Ogata | Keyboards |
53 | Yokichi Ohsato | Executive Producer |
54 | Ken Park | Percussion |
55 | Anthony Payne | Producer |
56 | Carla Picchi | Violin |
57 | John Poole | Guitar Technician |
58 | Sasha Povianski | Keyboard Technician |
59 | Steve Purcell | Director, Editing |
60 | Dan Reiter | Cello |
61 | Carlos Rodriguez | Drums, Guitar Technician |
62 | Nathan Rubin | Concert Master |
63 | Irene Sazer | Violin |
64 | Casey Scheuerell | Drums |
65 | Carol Schwamberger | Violin |
66 | Jim Shallenberger | Violin |
67 | M.T. Silvia | Assistant Engineer |
68 | Tim Spears | Bass |
69 | Ronald Sternberg | Editing, Translation |
70 | Greg Sudmeier | Musical Director |
71 | John Tenney | Violin |
72 | Maureen Tunney | Production Coordination |
73 | Miyuki Ueda | Drawing |
74 | Sara Usher | Violin |
75 | Emily Van Valkenberg | Violin |
76 | Eline Van Den Ende | Violin |
77 | Kit Walker | Keyboards |
78 | Tim Ward | Editing |
79 | Tamara Wells | Producer |
80 | Hisashi Yamamoto | Executive Producer |
81 | Kazunobu Yanagi | Photography |
Quality | Format | Encoding | Description |
---|---|---|---|
Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |