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| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Watashi no Jurokusai | Kyoko Koizumi | Play | 03:49 | 8 MB | 26 MB |
| 2 | Suteki na Lovely Boy | Kyoko Koizumi | Play | 02:54 | 6 MB | 20 MB |
| 3 | Hitori Machikado | Kyoko Koizumi | Play | 03:12 | 7 MB | 22 MB |
| 4 | Harukaze no Yuuwaku | Kyoko Koizumi | Play | 03:04 | 7 MB | 20 MB |
| 5 | Makka na Onnanoko | Kyoko Koizumi | Play | 03:30 | 8 MB | 23 MB |
| 6 | Hanbun Shoujo | Kyoko Koizumi | Play | 03:59 | 9 MB | 28 MB |
| 7 | Adesugata Namida Musume | Kyoko Koizumi | Play | 04:20 | 9 MB | 29 MB |
| 8 | Nagisa no Haikara Ningyou | Kyoko Koizumi | Play | 04:12 | 9 MB | 29 MB |
| 9 | Meikyu no Androla | Kyoko Koizumi | Play | 03:29 | 8 MB | 22 MB |
| 10 | Yamato Nadeshiko Shichi Henge | Kyoko Koizumi | Play | 03:18 | 7 MB | 23 MB |
| 11 | The Stardust Memory (KYON3 KOIZUMI THE GREAT 51) | Kyoko Koizumi | Play | 03:55 | 8 MB | 26 MB |
| 12 | Tokonatsu Musume | Kyoko Koizumi | Play | 03:13 | 7 MB | 23 MB |
| 13 | Majo | Kyoko Koizumi | Play | 04:38 | 10 MB | 31 MB |
| 14 | Nantettatte Idol | Kyoko Koizumi | Play | 04:09 | 9 MB | 30 MB |
| 15 | 100% Danjo Kousai | Kyoko Koizumi | Play | 03:55 | 8 MB | 27 MB |
| 16 | Yoake no Mew | Kyoko Koizumi | Play | 03:51 | 8 MB | 26 MB |
| 17 | Kogarashi ni Dakarete | Kyoko Koizumi | Play | 03:45 | 8 MB | 27 MB |
| 18 | Mizu no Rouge | Kyoko Koizumi | Play | 04:45 | 10 MB | 32 MB |
| 19 | Smile Again | Kyoko Koizumi | Play | 04:28 | 10 MB | 30 MB |
| 20 | Kiss wo Tomenaide | Kyoko Koizumi | Play | 03:40 | 8 MB | 26 MB |
| 76 mins | 174 MB | |||||
| 76 mins | 529 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |