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For fans ready to graduate from Stanley Turrentine's many fine Blue Note sets, this excellent mid-'60s date on Impulse should be the perfect option.
Joined by then-wife Shirley Scott on organ, Turrentine revels in a fine array of medium cookers, three of which came from his own pen.
The covers are just as impressive, including a clutch of late-night blues and ballads from the standards canon ("Time After Time") and the Ellington ("The Feeling of Jazz") and Basie catalogs ("Sent for You Yesterday").
And making it all swing in the pocket, Turrentine and Scott get top-drawer support from bassists Ron Carter and Bob Cranshaw and drummers Mack Simpkins and Otis Finch.
Enjoy.
| Title/Composers | Performer | Listen | Time | Size | Size | |
|---|---|---|---|---|---|---|
| 1 | Let It GoStanley Turrentine | Stanley Turrentine, Shirley Scott | Play | 05:53 | 13 MB | 35 MB |
| 2 | On a Clear Day You Can See ForeverBurton Lane, Alan Jay Lerner | Stanley Turrentine, Shirley Scott | Play | 06:56 | 15 MB | 41 MB |
| 3 | Ciao, CiaoStanley Turrentine | Stanley Turrentine, Shirley Scott | Play | 05:54 | 13 MB | 35 MB |
| 4 | Taint What You Do (It's How You Do It)Sy Oliver, Trummy Young | Stanley Turrentine, Shirley Scott | Play | 05:28 | 12 MB | 33 MB |
| 5 | Good Lookin' OutStanley Turrentine | Stanley Turrentine, Shirley Scott | Play | 05:21 | 12 MB | 32 MB |
| 6 | Sure as You're BornAlan Bergman, Johnny Mandel | Stanley Turrentine, Shirley Scott | Play | 04:42 | 10 MB | 26 MB |
| 7 | Deep PurplePeter DeRose, Mitchell Parish | Stanley Turrentine, Shirley Scott | Play | 04:47 | 11 MB | 24 MB |
| 8 | Time After TimeSammy Cahn, Jule Styne | Stanley Turrentine, Shirley Scott | Play | 09:17 | 21 MB | 50 MB |
| 9 | The Lamp Is LowPeter DeRose, Mitchell Parish, Maurice Ravel, Bert Shefter | Stanley Turrentine, Shirley Scott | Play | 08:05 | 18 MB | 44 MB |
| 10 | The Feeling of JazzDuke Ellington, George T. Simon, Bobby Troup | Stanley Turrentine, Shirley Scott | Play | 03:54 | 8 MB | 20 MB |
| 11 | Sent For You Yesterday (And Here You Are Today) | Stanley Turrentine, Shirley Scott | Play | 05:41 | 13 MB | 31 MB |
| 66 mins | 151 MB | |||||
| 66 mins | 377 MB | |||||
Note: You are able to listen to 30-second samples for preview purpose.
| Artist | Job | |
|---|---|---|
| 1 | Andy Baltimore | Director |
| 2 | Count Basie | Composer |
| 3 | Alan Bergman | Composer |
| 4 | Sammy Cahn | Composer |
| 5 | Ron Carter | Bass, Guest Artist |
| 6 | Bob Cranshaw | Bass, Guest Artist |
| 7 | Michael Cuscuna | Liner Notes, Producer, Reissue Producer |
| 8 | Stanley Dance | Liner Notes |
| 9 | Peter DeRose | Composer |
| 10 | Joseph Doughney | Post Production, Producer |
| 11 | Eddie Durham | Composer |
| 12 | Duke Ellington | Composer |
| 13 | Susan Feitelberg | Assistant Producer, Production Coordination |
| 14 | Otis Finch | Drums |
| 15 | Otis Candy Finch | Guest Artist |
| 16 | David Gibb | Design |
| 17 | Scott Johnson | Design |
| 18 | Michael Landy | Post Production, Producer |
| 19 | Burton Lane | Composer |
| 20 | Alan Jay Lerner | Composer |
| 21 | Michelle Lewis | Production Coordination |
| 22 | Johnny Mandel | Composer |
| 23 | Sonny Mediana | Design |
| 24 | Sy Oliver | Composer |
| 25 | Mitchell Parish | Composer |
| 26 | Maurice Ravel | Composer |
| 27 | Andy Ruggirello | Design |
| 28 | Jimmy Rushing | Composer |
| 29 | Shirley Scott | Guest Artist, Organ, Organ (Hammond), Performer, Primary Artist |
| 30 | Dan Serrano | Design |
| 31 | Bert Shefter | Composer |
| 32 | George T. Simon | Composer |
| 33 | Bob Simpkins | Drums |
| 34 | Mack Simpkins | Guest Artist |
| 35 | Mack Simpkins | Drums |
| 36 | Charles Stewart | Photography |
| 37 | Robert Stoughton | Engineer, Mastering, Transfer Engineer |
| 38 | Jule Styne | Composer |
| 39 | Bob Thiele | Producer |
| 40 | Bobby Troup | Composer |
| 41 | Stanley Turrentine | Composer, Performer, Primary Artist, Sax (Tenor) |
| 42 | Rudy Van Gelder | Engineer |
| 43 | Trummy Young | Composer |
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| Quality | Format | Encoding | Description |
|---|---|---|---|
| Standard | MP3 | 320kps 44.1kHz | MP3 is an audio coding format which uses a form of lossy data compression. The highest bitrate of this format is 320kbps (kbit/s). MP3 Digital audio takes less amount of space (up to 90% reduction in size) and the quality is not as good as the original one. |
| CD Quality | FLAC | 16bit 44.1kHz | FLAC is an audio coding format which uses lossless compression. Digital audio in FLAC format has a smaller size and retains the same quality of the original Compact Disc (CD). |